Author: Gareth Naylor

  • Magical painting of Japanese islands in the moonlight

    Magical painting of Japanese islands in the moonlight

    I don’t know how it was for you when you were twenty but for me it was a very hard time.

    I lived alone. 

    There was no girlfriend, no friends, no drinking or nightclubbing.

    I could have been living the life of a monk except there was no God in my life either.

    I had a part-time dead-end job in a supermarket and was ‘studying’ at college.

    In reality, I was really like a piece of driftwood just floating around without any meaning or purpose.

    I lived in a silent room with no TV, radio or computer.

    My only company, was the thoughts in my head.

    I’ve never found those thoughts to be reassuring, quite the opposite. 

    Years later, I learnt to pay them no attention and that has served me well.

    You may think life could not be worse. 

    But it could. 

    For there was always the weekly walk to the laundrette.

    Abandon all hope ye that enter was how I felt about entering this place. 

    It was the “mundane” in full force and it seemed to suck all possible magic out of life – not that my life had much magic in it at this time either.

    It was probably for this reason that I would take a fantasy novel with me. 

    The book acted as a magical talisman protecting me against the mundanity of the laundrette.

    And my favorite writer was Jack Vance. 

    There was a kind of magic about his writing, a wonderful exoticness of far away places on other planets, that totally removed me from the laundrette.

    And I think the exoticness of far away places attracted me to Japan. 

    I had dreams of living in a traditional wooden Japanese house in the middle of a rice field.

    In reality I ended up living in a 3 storey concrete apartment. 

    And I found out that modern Japan was actually pretty ugly. 

    Tidy but ugly.

    It was only through trips into the countryside that I started to see the beautiful Japan that I had dreamed about.

    And one day I found the exotic and magical Japan that I’d hoped for. 

    It was a place that seemed to be quintessential Japan.

    It’s called Sasebo and it is in Nagasaki prefecture.

    When I first arrived at this place I almost drove the car off a bridge as I got mesmerized by the view of a huge American naval fleet. 

    It was the first time I’d ever seen such a sight.

    But even more mesmerizing was the boat trip I took later around some of  the 200 islands.

    The shape of some of these islands is strange and beautiful.

    And for me the scene in the painting above with those strangely shaped islands is the kind of thing that the romantic in me was looking for.

    There is something magical here and I keep returning to the photographs I took of these islands and painting another picture.

    In the painting above I wanted to emphasize that magicalness by attempting a moonlit scene.

    I think I succeeded somewhat.

    And that will do for now,

    Gareth.

    Postscript

    I tried to translate the title of this painting “Exotic Islands in the Moonlight” into Japanese and found that the word exotic in Japanese is batakusai (バタ臭い) which literally means smelly butter.

    And I further learnt that this phrase is what Japanese people used to call Westerners.

  • Epic painting trip to the island of Shikoku – chapter 1

    Epic painting trip to the island of Shikoku – chapter 1

    Video

    https://youtu.be/wkPiP3K-PXk

    The story

    In August of 2022, when it was super hot and super humid in Japan, I left the island of Kyushu and travelled to the island of Shikoku.

    They are next to one another.

    This was my summer holiday painting trip and I was very excited.

    I was staying on the island of Shikoku for several days and I would be traveling around the prefecture of Ehime.

    The big highlight of the trip though would be the lighthouse that is situated at the end of a long narrow peninsula.

    It is the narrowest peninsula in Japan.

    The beginning of my trip was as exciting as I could have hoped.

    The ferry ride over was amazing.

    It was windy and as I arrived in Shikoku I got a very dramatic view of the lighthouse itself.

    Then the drive along the peninsula was an adventure all in itself.

    Although the lighthouse was not quite as amazing as I hoped, I was able to get some great shots of it.

    I also used my drone. And later at home, with a lot of creativity, I produced some paintings of the lighthouse that I am really happy with.

    In this first chapter you see my trip to the lighthouse as well as my painting of the lighthouse.

    At the end of the video, I show several paintings that I have done of this lighthouse.

    The originals are available to buy. Just contact me on discord.

    My username is: garethartist

    All the best, Gareth.

  • Painting figures with a bamboo brush

    Painting figures with a bamboo brush

    Learning watercolor painting is like walking along a footpath in the countryside. You can either focus on the many miles you have to walk. Or you can enjoy the scenery.

    Video lesson

    Preamble

    I find painting figures a lot of fun and they are often an essential element in my landscape paintings.

    However, figures are fiddly things to paint and I struggle to do so with a normal round brush. And then in Japan, I came across bamboo brushes which I think are normally used for calligraphy. 

    Bamboo brushes have an amazingly sharp point which gives me superb control over my brushstrokes. So they are ideal for painting fiddly things such as figures.

    In this video, I show you how to draw figures and then paint them using a bamboo brush. And we even paint a simple background for our figures.

    In this video, though, we are just practising. So please don’t use good quality watercolor paper. I used a very cheap watercolor paper called Vifart. Feel free to use any cheap watercolor paper you fancy.

    Contents

    Brief introduction: 

    I talk about the subject of figures, my reference drawing and the materials you will need.

    Drawing figures 

    I show 3 ways to draw figures, these are: line, gesture and scribble.

    Painting the figures 

    I show you my method for painting figures. This involves first blocking in the figures, adding shadows and then coloring them.

    Painting a background

    With a flat brush, I show you how to paint a simple background.

    Skin and highlights 

    Finally we add some faces and hands. And then we add some highlights to our figures with a liner brush and white paint.

    Conclusion

    Advice on practice regularly on cheap watercolor paper, experiment and enjoy. If you follow this formula, then the masterpieces will come a few years later.

    Reference drawing

    When drawing and painting figures, I strong advise against using just your imagination – unless your are a seasoned artist. Instead, I recommend finding reference materials. The lazy way to do this is just go on the internet and find an image. The more exciting way, is to go outside and take photos of people. This is what I did for the reference image here. Just make sure that you photograph people discreetly.

    This is a downloadable image that you can print out. Please put it where you can easily see it when you are drawing and painting the figures. I stick mine on a cork board that is on the wall in front of my painting desk.

    Downloadable reference drawing

    Materials

    If you don’t have the materials listed here and can’t get the materials soon, then please just use the nearest equivalent you have of the materials listed here.

    Brushes

    Bamboo brush 6mm diameter (⅕ inch)

    Liner brush

    Flat brush 13mm diameter (½ inch)

    Paints

    Phthalo blue (red shade)

    Cerulean blue

    Pyrrole red

    Permanent Alizarin Crimson

    Burnt Sienna

    Yellow Ochre

    White (I used Chinese white, but any will do)

    Paper

    Vifart A4 size loose sheets

    Final message

    I hope you have a lot of fun and improve your watercolor skills through this lesson. 

    Happy watercolor adventures from Gareth Naylor.

  • Watercolor painting of a Japanese flyover

    Watercolor painting of a Japanese flyover

    The video

    Prints available to buy

    b19f33ec-bebb-423e-bb6d-c24b89e74e29

    Japanese flyover at evening time

    Price range: $20.14 through $33.24

    High quality print that is perfect for custom framing.

  • Painting of golden winter grass by a Japanese river

    Painting of golden winter grass by a Japanese river

    It is February of 2022.

    It is still winter and often cold, but there is the occasional warm day which cheers the spirit and brings with it the promise of spring.

    And on one such day, I got my painting gear and took a walk along my local river.

    I love my local river.

    It’s my nearest source to fresh air and nature.

    Anyway, I walked along the river bank until I came to the scene in the painting above.

    I thought it was quite an engaging scene.

    I especially liked the warm golden color of the winter grass against the cool blue mountains in the distance.

    The river in the foreground is an interesting feature as are the distant and somewhat dramatic high rises in the mid-distance.

    I was very happy with how this painting turned out.

    Even after 15 or so years of painting, each painting is still a very hit or miss affair.

    That’s all for now,

    Gareth.

  • Painting of a farmer’s fire in rural Japan

    Painting of a farmer’s fire in rural Japan

    I have this amazing painting.

    Sadly, I have no amazing story to go with it.

    In fact, the origin of this painting is murky.

    I’m pretty sure that it is from a photo I took.

    I’m not sure if I still have the photo but I can still remember that photo. 

    And I’m pretty sure that I took this photo when I was driving in the countryside.

    I’m not sure if I was alone and I stopped and took the photo.

    I think that was the case.

    But I could have been in the car with my family on some excursion when I saw this scene.

    And I can’t remember the exact location.

    I think I’d just passed a row of houses in the countryside, gone over a bridge and then I came upon this scene.

    I think if I pass the same place again then I will recall it.

    It was definitely in Oita prefecture where I live.

    But that’s all I can remember.

    At some point, I have to do some more paintings of smoke (or mist) in the countryside as I think they will turn into amazing paintings such as this one.

    And it will be so fun to paint them.

    That’s all for now,

    Gareth.

  • Painting of a beautiful Japanese river at dusk

    Painting of a beautiful Japanese river at dusk

    In April of 2018, I visited a cafe that had a gift shop.

    The gifts were artworks by foreigners living in Japan. 

    The owner, who was herself a foreigner, had asked me to show some of my paintings there.

    I was delighted by this opportunity.

    The shop is near Kitsuki town, which is a very rural area in Oita prefecture.

    And although I’d been to Kitsuki town several times I’d never seen much of the surrounding countryside. 

    It was beautiful.

    I had a lovely time there with my family.

    And I also now have 4 of my paintings on display in the shop.

    We left late because my daughter was having such a good time that she didn’t want to leave. 

    She even cried and said that she wanted to live there. 

    It really touched my heart when she said that.

    But it was getting late and we had to go home.

    Fortunately, once in the car her mood soon changed and she was feeling fine.

    The journey home was a wonderful experience for me.

    As I was driving in the final light of the setting sun, I saw several beautiful scenes. 

    One of them was of the river which for a while ran by the side of the road. 

    There was one particular curve in the road where I caught a glance of the river.

    The view was so beautiful that I had to stop and turn the car around and go back and take some photographs.

    Perhaps what appealed to me was the color of the river. 

    I could see an enchanting mix of warm orange and cool blue hues in the water.

    I was hesitant to do a painting of this scene because normally I paint light.

    So there are often rays of light and strong highlights in my work.

    But in this scene the sun had set and there were no dramatic and powerful contrasts of edge, light and color.

    Instead, this was a soft, muted scene.

    I am glad, though, that I plucked up the courage and tried to paint it.

    It took several attempts before I got a result that I was happy with.

    I’m particularly satisfied with capturing the warm orange and cool blue hues in the water.

    I’m also satisfied with the tranquil feeling that the painting conveys.

    Sadly, none of my paintings sold at the shop.

    I am, though, well acquainted with such disappointments and although it has taken many years of enduring such disappointments, I have become somewhat less perturbed by them.

    And do not take that as resignation.

    Creativity is a living energy that flows in me and I follow it.

    Well that’s all for now,

    Gareth.

  • Painting of car headlights on a country road at dusk

    Painting of car headlights on a country road at dusk

    I live next to a busy road in a Japanese city called Oita.

    I hate it.

    I want to escape this place and go and live in nature. 

    And the best thing to do in nature is farming.

    Or rather, that is probably the only thing I can do there.

    So recently, I traveled to a place called Nakatsu to meet two women who were going to teach me about organic farming.

    They live in a big house at the bottom of a hill and next to rice fields.

    The rice fields were a golden yellow color.

    And the rice was being harvested.

    It was a beautiful place.

    As is the Japanese custom, I gave them a gift – which was some cakes.

    We had a bit of a chat.

    And then the two women gave me some interesting compost to take home with me.

    It was light, dry blocks of rotten wood upon which mushrooms had been grown.

    They told me that it was excellent compost.

    And they gave me a lot of it.

    After that the two women took me to their field.

    I thought it would be next to their house, but it was actually quite far away and we had to go by car.

    Here they are growing green peppers, sweet potatoes and bitter melons – which they call goya in Japanese.

    I helped them pick some vegetables.

    And aftewards, they generously gave me some of their vegetables.

    I was delighted to receive this organic produce.

    This place though was very remote, very empty of human life and very quiet. 

    And I wondered if I would be able to live here by myself and be okay. 

    I could see myself becoming terribly lonely.

    However, I still want to try living in the Japanese countryside.

    Anyway, after that they took me to a roadside station.

    Here they recommended vegetable plants that would be good to grow in my garden.

    I bought these plants and some vegetables.

    I also bought some locally produced pickled plums and stick-shaped cheesecakes for my wife and daughter.

    My daughter loves salty foods like pickled plums and sweet things like cheesecakes.

    Coming home I had the good fortune to see a beautiful scene of car headlights on a winding country road and a beautiful evening sky in the background.

    I took a photo and later at home I did the painting above.

    The photograph though didn’t capture very well the brillance of the scene.

    At least in my mind, in the actual scene there was a very strong contrast of a warm orange evening sky against blue gray clouds. 

    So in the painting, I did my best to emphasize that contrast – even perhaps exaggerate it.

    I’m quite happy with the result.

    But one day I might have another go.

    That’s all for now,

    Gareth.

  • Painting of construction work by a Japanese river

    Painting of construction work by a Japanese river

    This painting is a little gem for me.

    But let’s begin at the beginning.

    So I walk by my local river everyday.

    It’s something I love to do.

    It’s also a place to get away from vehicles of which there are way too many in Japan.

    But recently the vehicles have found their way to the river.

    There is a lot of construction going on down at the river now.

    And it has become quite a busy place where I see diggers, trucks, vans, cars and even an electric bus.

    It worries me because they are building a permanent road there where before there used to be just a rough gravel track. 

    They’ve already got a road along one section which they recently built but it looks like they might extend this.

    It also looks like they are building car parks too, in which case they really have spoiled this area.

    It’s some more green space gone from the prefecture that says it loves forests. 

    To be honest, I think they only love forests because this is a very rural prefecture.

    I have to admit though that the riverside can become very wild and overgrown. 

    There are areas with incredibly dense clusters of trees and bamboo trees covered in some kind of creeper.

    It doesn’t look pretty.

    But there were other areas where there were just a few trees and it looked quite nice. 

    In a lot of areas though they removed everything and made it totally flat.

    The Japanese don’t mess around when they do something.

    One thing I’ve learnt as an artist though who lives in the city is to look for beauty wherever I can or failing that just look for what is visually interesting.

    Normally I find the latter in Japan.

    So anyways, I was walking by the river and I saw this scene of a digger and a work man and I thought it looked interesting.

    I know it’s not your normal painting subject.

    I think the soft cool blue background and the warm yellow foreground of the grass made the overall color and feel of the painting nice.

    I got that soft background by first painting the objects, leaving them to dry, and then painting a warm wash over the top of them. 

    I used a watery mix of yellow ochre and alizarin crimson.

    And the road with the digger, worker, cones and whatnot added an interesting element of objects and busyness.

    Another interesting feature were the long shadows cast by elevated railway lines.

    I really liked the effect of these shadows. 

    It may look a little strange but I like it.

    Next time I might make those shadowy lines even stronger and have the worker partially disappearing into the shadows. 

    I could perhaps also do with another worker figure.

    I now have a small collection of paintings of construction workers.

    I might at some point make a mini-gallery of construction workers on my website.

    That’s all for now,

    Gareth.

  • Peaceful painting of two people walking along a countryside path at evening time

    Peaceful painting of two people walking along a countryside path at evening time

    This painting began with another painting that I did around 2013.

    I loved the mood of the painting.

    It was a late evening scene with a countryside path and figures walking along the path that looked a little like ghosts.

    So I decided to have another go.

    I wanted to do an improved version.

    However, rather than improving upon it, I ended up creating a new kind of mood – which is how it normally goes with these “improved” versions.

    At least that is my opinion.

    But I’m happy with this new painting and I’m glad I had the courage to try and improve upon the original painting.

    That’s all for now,

    Gareth.