Tag: May

  • Bicycle trip to a beautiful Japanese shrine called Yusuhara

    Bicycle trip to a beautiful Japanese shrine called Yusuhara

    When I woke up today it was overcast and I decided today was going to be a laid back time in the studio dabbling around with the paintbrush. 

    When my wife left the house, however, she remarked that it appeared to be getting brighter. I went outside and saw that one half of the sky was cloudy and the other half a light blue. 50: 50 I thought and went back to the studio.

    But as I dabbled away with my paintbrush at the kitchen table (aka my studio) it gradually became brighter and brighter until with sunlight pouring through the window I was forced to admit that it was actually going to be a nice day after all.

    I was, though, still in the sway of deciding it was going to be a laid back day in the studio and this had created a peculiar gravitational pull that held me back from jumping up and going out. Not until 10.30 did I manage to get myself out of the house and onto my bicycle.

    I decided to cycle to Yusuhara shrine. It has been quite a while since I did a long bicycle ride. Although not too far away, it is on the top of a very high hill or should I say low mountain. I’m not sure. I wonder at what height a hill becomes a mountain.

    Anyway, I have cycled to this shrine several times and done it without stopping but this time because of age or being in a very laid back state I walked on occasion which was probably good for my heart.

    And I actually did my first painting before I ascended the hill. I came across a captivating scene of an entrance to another shrine. The tricky part was the background. There were houses in the background that over complicated the scene so I decided to exclude them and to make it some simple greenery instead.

    Watercolor painting of the entrance to a small shrine
    “Entrance to a shrine”

    I almost didn’t show the painting above. I’m not very happy with it. But here it is.

    Anyway, I continued on up the hill after painting this picture.

    And I was pretty red in the face when I got to the top of the hill and the entrance of Yusuhara shrine which was about 50 steep steps. How welcoming! 

    This was the scene for my second painting. I really liked the dramatic shadows across the ground. And I think my attempt to paint these shadows in my picture is the most successful part of the picture.

    Watercolor painting of the steps leading to Yusuhara shrine
    “The climb to the shrine”

    Overall I’m not happy with this painting. But since I am writing about this painting, I thought that I might as well show it.

    After this, I ascended to the shrine. In other words, I climbed an endless number of steps. It was tiring but I quite enjoyed it.

    The final painting was a small enclosure next to the shrine. I really like the space and in particular the corridor on the right which is a pillared walkway. This walkway gives a spectacular view of the forest. 

    Painting this beautiful scene though was a nightmare as I was surrounded by a cluster of tiny flies that desperately wanted to kamikaze into my eyes or explore my nostrils. 

    It doesn’t help that I have cavernous nostrils. I never really gave much thought to my nostrils but they amaze my wife. She often wants to put things up them, such as a 500 yen Japanese coin which is a very large coin. 

    But back to the story. I think that if I’d had a can of kerosene then I would have been tempted to douse and set light to myself. 

    Instead I resorted to squirting the flies with extreme viciousness. Sadly, it wasn’t very effective.

    And I lost all decorum. I was swearing, blowing like an angry bull through my nostrils and erratically waving my arms in front of me. 

    I was without doubt quite a spectacle for the calm monk in the ticket booth. 

    These are the joys of outdoor painting that nobody tells you about.

    I did though, in spite of Mother Nature, finish the painting and was even quite happy with it.

    Watercolor painting of an enclosure in Yusuhara shrine
    “Beautiful enclosure in a Japanese shrine”

    Then it was time to go home. The return journey was very pleasant because half of the ride I didn’t even have to pedal. I just needed to keep breaking.

    That night while I was sleeping I suddenly woke up with an urge to go to the toilet and as I was getting up my left calf muscle contracted into a solid ball of iron. It was excruciatingly painful and I had to rub frantically to relax it. It ached the rest of the next day.

    If this was the result of the bike ride then I am glad that I walked on occasion and didn’t over strain myself.

    That’s all,

    Gareth.

    Postscript

    I originally wrote this in May of 2014. I am editing it in 2021. 

    I think I still have the final painting but the others I have thrown away. It was interesting for me to read this article again as I had forgotten nearly all of it except for the muscle spasm. That was excruciating. 

    I’m not happy with my paintings here but I included them as I think they are a necessary part of the story.

    The painting at the very top was not painted on the day of this trip. Although it might have been painted in this year or sometime around this period. 

    I’m showing it though because it is one of my better paintings of the path to Yusuhara shrine.

  • Watercolor paintings of a beautiful cliff by a river

    Watercolor paintings of a beautiful cliff by a river

    Today, we went on a family trip to Yabakei.

    On the way, we saw a very interesting sight.

    It was a road going straight into a rice field and then suddenly ending. Clearly the road was still under construction. But it was a very bizarre sight.

    Yabakei, I should tell you, is famous for some tunnels. They were carved out by a monk called Zenkan. He did it to help the local people.

    According to the story, the monk saw people walking along a precarious path on the cliff face in order to get from one village to another. Or something like that. And he decided to make the tunnel in order to make it easier for them. This was no small decision. It took him 30 years to make the tunnel.

    Sadly, in more recent times the tunnels were made bigger for cars and in the process a unique historical feature was destroyed.

    And now a new bridge is being built. 

    By the river they have covered the grass with concrete. On top of the concrete they have put some flat stones.

    It wasn’t a good idea.

    The flat stones were sometimes loose. There were also big gaps here and there which tripped you over if you were not careful. 

    And there were many steep steps and big drops where you had small ponds or the edge of the river.

    It was very stressful walking around here with my toddler. I had to keep an eye on her all the time. 

    In my opinion, it would have been better to have had a natural grassy bank. This would have looked more beautiful and it would have been a lot safer.

    I wonder why they couldn’t leave it alone. It must have been so beautiful before. Anyway, that’s my rant over with for now.

    So, as usual, I spent quite a while walking around and climbing over no entry barriers to try and find a good scene for a painting. 

    Because I was with the family I had no time to paint so I took some photos. Later, at home, I did some paintings from those photos.

    The cliff face here is amazing. And it was wonderful to paint such a beautiful natural feature. I am really happy with the results of the two paintings I did. But, of course, there is always room for improvement.

    Below is the second painting I did.

    Watercolor painting of the beautiful cliffs of Yabakei
    “A pleasant stroll by the beautiful cliffs of Yabakei”

    We also happened to see a group of bikers who had a thing for revving their bikes without even going anywhere. Yes, true animal behavior on display here. I guess they are the Japanese version of Hell’s Angels. 

    Surprisingly, they were quite friendly or at least one of them. He made a peace sign when I took a photo of him. 

    The seats on the motor bikers were very high. I thought they looked silly. But I suppose on the positive side at least you’re not going to fall off.

    Postscript

    I originally wrote this story in 2014. I am now editing it in 2021. 

    My story about the monk called Zenkan was possibly wrong. 

    I learnt that there are many alternative stories about how the tunnel came about. 

    I think the main story is that in the 18th century a monk, called Zenkan, made the tunnel in order to make a safe route for people to go to a spectacular temple called Rakan-ji.

    One version of this story says that he made the tunnel all by himself with a chisel and hammer. Another story is that he enlisted help. 

    And his motives are also subject to controversy. In one story, it said that his efforts were altruistic. In another, it is said that he charged people to use the tunnel and that this was the first toll road in Japan and that Zenkan became rich.

    I like to think that he was an altruistic person.

    That’s all,

    Gareth.