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Tag: series
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Watercolor paintings of construction work in a small Japanese city

“Signs of construction by a crossing” These pictures are of a small Japanese city that I live in called Oita.
They were painted in 2014. Around this period there was a lot of major construction work occurring around the city center.
New roads, a new bridge and a new train station were built. And the area around the train station was completely transformed.
The street where I live, which is about a kilometer from the city center, was also majorly changed. A whole row of houses were removed and replaced with a very large road which has now become a very busy road.
Although I don’t like living next to this very busy road, it was interesting to witness all this new construction and to experience the intense energy that new construction gives off. Out of nothing, new roads, new buildings and new spaces and vistas appeared.
And there was for me a positive feeling of new growth.
I did quite a few paintings of this construction work and so I guess you could call it a series. Here is that series.

“Sky full of cranes 1” This is a watercolor painting of the construction of the new train station and shopping mall.

“Sky full of cranes 2” This is a painting of the same scene but a little later on. You can see that more of the shopping mall has been completed.

“Sky full of cranes 3” And here is another view of the new shopping mall and train station. I really enjoyed painting the figures and scooters in the foreground.

“Lines of construction” Here you can see the new elevated railway line and the building of apartment blocks. I have mixed feelings about these apartment blocks. I can’t say they are beautiful but as big, powerful shapes they can be interesting to paint.

“High-rise building under construction” This is the view from the other side of the elevated railway line. I really like this particular scene. The church building in the foreground is a very beautiful building and even the highrise in the background is visually interesting. I especially like the way the highrise curves.
Sadly this church building has been demolished, even though it was quite new. It was even more beautiful inside. It has been replaced by a highrise.
I once went to this building at Christmas time to listen to some gospel singers. It was quite a strange event. All the gospel singers wore white woolly sweaters and every item of food was sweet. Sadly, even the coffee was sweet. However, it was also free.
I’ll never forget when they sang Silent Night. The sound was ear-piercing. When I left the building I found that I couldn’t hear anything.
If the sound hadn’t been so loud it would have been wonderful.

“Cranes in the distance” This road leads to the highway. I quite like this road because of the feeling of spaciousness and the long vista it creates. Also, the trees by the side of the road make it somewhat picturesque. Although there is no major building construction occurring here there are some cranes in the background. I think they were building a new hospital.

“A road with a view” Although there is no construction going on in this one, this is one of the new roads that was built. I am showing it because of the beautiful vista this new road has created. The area on the right is a wasteland but I think it looks beautiful. And luckily they won’t build high-rises on this land. Instead, it will become a park dedicated to the memory of a famous feudal lord called Sorin Otomo who became a Christian. I think his residence used to be here. So hopefully this beautiful vista will stay.
That’s the end of this small series. I hope you enjoyed seeing these paintings,
Gareth.
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Outdoor painting nightmare on a mountain

“Clouds gather” Part 1: Ascent into the Mist
Monday is a free day and if the weather is fine then it’s a chance for a painting trip. It’s a really special day for me as I love outdoor painting.
On this particular day, the weather forecast was cloudy at first but it would gradually become sunnier. But the forecast is sometimes wrong so I waited until there was a noticeable change for the better.
My destination was Mount Yufudake. I recently discovered this beautiful twin peaked mountain on one of my painting trips.
I painted a close up of one of the peaks and enjoyed it so much that I wanted to have another attempt. After all, this was a new subject for me and still very challenging to paint.
What I didn’t know was that this was going to be a very eventful trip.
And the first event was a near accident on the way. I was driving up a narrow and winding road in Beppu city when a driver, who was coming in the opposite direction and wanted to turn right, suddenly swung over into my lane. He was totally oblivious of me until I beeped. It was a shock for both of us.
The rest of the drive was uneventful but arriving at the mountain I was disappointed to see those beautiful peaks covered in mist. A close up painting of one of the peaks no longer looked possible.
However, always the opportunist, as you have to be when painting outdoors, I painted this misty mountain scene by walking up a small hill opposite Yufudake mountain.
And here is the painting I did on the spot.

“Misty mountain top” Although a spectacular scene it’s not the kind I often paint as it’s difficult to paint well. The finished painting had a nice delicacy but the scale was a little wrong, the actual scene was much bigger and much more majestic.
I lost the immense scale by painting the figures too big. But if I’d painted them the actual size they would have been tiny.
There will definitely be another attempt at painting this scene in the near future.
Luckily, while painting this picture the mist started to clear so it was now possible to paint one of the peaks from close up. Unlike last time, when I was in a rush, I climbed the mountain at a very leisurely pace and occasionally stopped to do sketches for future paintings.
About half way up, though, the mist suddenly returned and I seriously thought about quitting. But I didn’t. Perhaps having already climbed half the mountain it seemed better to carry on and to hope that the mist might clear. Also the thought that the mist might provide an interesting scene to paint, convinced me to carry on.
I pictured the painting The Wanderer above the Mist by Caspar David Friedrich. In this painting, the mist creates a very atmospheric painting. And this led to a feeling of exciting possibilities and the chance to paint something new.I arrived at the base of the peaks surprised to be in such good shape compared to last time. Although it was still misty this actually helped, as I thought it might, to create a beautiful composition.
The mist made the top of the peaks dark, vague almost ghostly presences but lower down the features of the peaks became more defined in shape, color and texture. And at the bottom of the peak that I was going to paint was a beautiful spill of rocks which is where an intrepid climber could be placed as a focal point. Soon I was painting and feeling totally in my element.

“Mist covered mountain peak” The final painting was pleasing but next time it’ll be interesting to make the top of the peak even darker and more ominous. Also the playful spill of rocks at the bottom, which really took my fancy, is also something to have another go at. But what an exciting and captivating subject.
While painting the mist would suddenly clear only to reappear again and again.
Sometimes I looked down the mountain. Mostly I could see a layer of thick white clouds.But sometimes, a gap appeared in the clouds. In this gap a cool blue scene would appear and I could see far below. And I could see a winding silvery line that was a river and around it the small town of Yufuin. It was spectacular.
I could also see some weird clouds. They appeared far below me and near the ground and seemed to be rotated 90 degrees and going upwards like columns of smoke. I did a quick sketch to capture this wonderful scene as a reference for a future painting.
And here is a painting that I later did at home from this sketch. It doesn’t show those amazingly weird clouds. But it does show the gap in the clouds and the view of the silvery river.

“Painting above the clouds” Last time I climbed this mountain I didn’t go up the peaks. You can read about that story here. This time though I went to the top of one of the peaks. And the panoramic view was awe inspiring. In one direction, I could see an endless range of mountains. In the other direction, I could see the sea. Connected to the sea was a river that was next to my house. Despite these inspiring views it was difficult to find a good scene to paint.
After hopping around here and there looking for a good composition I finally found something that might work. I sat on a big flat rock and began to paint. I was facing the setting sun with a view of the jagged edges of the other peak.

“Mountain trail” Yet rather than enjoying this moment so much I probably should have wondered more about why I hadn’t seen any other climbers for several hours.
Perhaps I sensed that I shouldn’t stay much longer on the top of the mountain for I didn’t fully finish the painting by adding some figures and even though the painting was still a little moist I covered it up and put it away rather than waiting for it to dry thoroughly even though it might get spoiled.
It was now beginning to get noticeably late and little by little I was beginning to feel a certain urgency to get off the mountain.
So I started my descent down the mountain. I must admit that I descended with some reluctance because the evening scene was becoming more and more beautiful. Part of me wanted to stay and enjoy that moment.
At first all went well as I descended but it was starting to get darker much quicker than I had anticipated. I was still unaware of how much trouble I was in.
Foolishly, I even stopped to do a sketch. I was entranced by the view. I could see a blood red sun set and pale blue mountains that were bathed in white clouds. Below me the orange lights of Yufuin town appeared and seemed to shine so warmly. It was truly magical. And after doing my sketch, and feeling bathed in the beauty of this wonderful evening, I was almost gaily sauntering down the mountain.
So very soon everything would change.
Part 2: Descent into Darkness

“Descent into darkness 1” The first part of descending the mountain was very easy. The route was open with only low shrubbery and just a few stunted trees. The path and the rocks were quite visible. It was getting dark very quickly though and the shapes of the rocks were slowly becoming blurry in the dimming light.
Despite being stunted, the trees started to increase in number and sometimes there would be a cluster of them by the path and it was suddenly very dark in these areas and I had to walk through them very slowly, one careful step at a time, using my easel like a blind man’s stick.
As the trees slowly increased in number and the way became much darker the realization that I was in trouble also increased. This particular mountain path was dangerous to navigate as there were many large rocks, sudden drops in the ground and places where it was easy to slip on loose stones. So after a few alarming stumbles, sudden drops and slips I started walking on bent knees close to the ground.

“Descent into darkness 2” My pace down the mountain was now very slow. However, this was safer than standing and it was clear that the worst scenario would be to have an injury.
At some point panic started to kick in and my mind became several people; one was clearly panicky, the other was reassuring and telling me to keep going and another was quietly watching it all.
Walking on bent knees eventually became too arduous and so I started sliding down on my bum. Although frustratingly slow this was the safest and most comfortable way. At first I made steady progress and the stones, which I had hated so much at first because they tripped you up or slowed your progress, were now a life saver telling me I was on the path.
Then suddenly I found myself stumbling through the trees. It meant that I was off the path. A feeling of panic seized me.
Reversing carefully I searched with my fingers for the rocky and hard-packed earth of the footpath. When I found it I stopped. Then slowly and carefully, on hands and knees, I searched for the continuation of the path by moving forward and feeling for rocks and hard-packed earth.
Again though I found myself losing the path. After several failed attempts to find the footpath another feeling of intense panic seized me.
As hope departed, desperation kicked in and I started searching again. Eventually I found the new direction of the path. The problem was that the path was often switch-backing.
As a result of the switch-backing, I would lose the path again and again and sometimes it took me a long time to find where it continued. Those were quite desperate moments. But I kept on going.
There was a little water left in my PET bottle but I didn’t want to drink it until I had cleared the forest and was at the grassy slope of the mountain. It would be my reward. But the path just seemed to go on forever. And the path was getting darker for I was now entering a forest area where the trees became taller and more numerous.
And some of the more densely forested areas were pitch black. It was a total descent into darkness. It was terrifying to see absolutely nothing.
After a long time of slowly moving along on my bum I came at last to a glade that I had passed so much earlier when climbing the mountain and in what now felt like another life. It was almost magical, like Galadriel’s garden but with an abandoned feeling. Even in this glade it was still dark but just visible were vague blurry shapes, such as a bench and a sign. Above was the beautiful sky. I probably should have stayed there but this glade was fairly near the end of the forest. Still, it was a little unnerving to plunge back into the darkness again but plunge I did.

“Starlit mountain glade” Almost immediately I was walking on bent knees low to the ground like a Cossack dancer and then I was on my bum again. Several times I lost the path and had to search on all fours. It was actually easier to sense the path by being low down.
The feeling that I would soon be out of the forest pushed me on and on, any moment I thought, perhaps another ten or twenty meters ahead of me, was the end of the forest. And yet nothing changed and time passed and the forest didn’t end, it seemed to be endless.
The uneasy feeling that I’d taken a wrong turn began to rise. Instead of coming out of the forest I seemed to be going sideways through it. On one side of me, and just visible through the trees, was a very large hill that was next to the mountain and I knew that I should be going parallel to it but I seemed to be going away from it.
The path was also different. Before it had been easier to sense because there were trees on either side of it. But now the trees were more spaced out and the ground more open. There were also fewer or no stones. Despite being an obstacle, the stones had been a sign that I was on the path.
The panicky thought that I was no longer on the path and had strayed off completely rose within me. Luckily, though, I would now and again dimly see a rope or a sign which would reassure me that I was still on the path.
Then suddenly, the path ended. I tried one way and almost fell down a steep slope. Another way looked like it was going up and I didn’t want to climb any more mountains. And another led into dense undergrowth.

“Night time walk through a mountain forest” It was here that I stopped and drank the last of my water. It was a sign that I’d given up. I lay down and relaxed – or at least tried to. My body really ached and I felt exhausted. I decided to stay here for the night and hoped that a search party might come. Although I also worried that I might have to pay for it if it did come and I was worried about my wife worrying about me.
My predicament was not so desperate in reality. I had a good sense of my location and I knew where the road was and could even hear cars passing along it somewhere below me. And it was next to that road that my car was parked.
As I thought these thoughts a strong temptation to just crash through the forest in that direction seized me but the fearful thought of getting lost in the forest and the increased difficulty for a search party to find me stopped me.
After lying on the floor and getting a very cold back I emptied my backpack and used it, and my painting pad, as a bed. It was not so cold but my body was shivering and so I got out a bin bag, put a hole in it, and put it over my head like a jumper. I lay down and tried to sleep. But I just turned around a lot trying to get comfortable and failing. Sometimes I’d sit up and try to sleep in that position.
Alone in the dark, in a forest on the side of a mountain feeling hungry and thirsty is bad enough. But then the imagination kicks in and you start to worry about things such as wild boars that will charge you if they see you. Then there were snakes or those virus carrying blood ticks which had killed 14 people in recent years and for which there is no cure. I even wondered if the lions or tigers at the African Safari park, that was not so far away, ever escaped – such is the wonderful nature of the imagination.

“Alone at night on the mountain” It was a little spooky too. Sometimes lights seemed to come towards me. And sometimes I thought I could hear the sound of an animal’s footfalls coming down the path. Every so often there were other sounds in the forest. They were probably just twigs falling off trees. But these sudden sounds kept me sitting up and looking around.
At one point, a dog suddenly started barking and I wondered whether it was a sniffer dog, so I shouted “help me” in Japanese. It happened twice and then it ended. Throughout the night there was the whistle-like sound of a bird of prey flying above that I had previously heard on the mountain top.
But after several hours I wondered if that sound was a whistle and a search party was looking for me. Sometimes the sides of the mountain were briefly lit up and I wondered if this was a big search light. Rationality disappears quickly when you get rattled. I shouted, even whistled, but nobody came. Eventually, I gave up.
It was a cloudy night and the biggest real worry was rain. The trees would offer some protection but how much and if I did get wet how cold would it make me.
I was also hungry. Lunch had been so spartan, just some bread and two tomatoes. And even though I sometimes felt like vomiting there was nothing to bring up. And I was thirsty. At one point, I even contemplated drinking the water in the bottle that I use for painting. I sometimes wash my brushes in this bottle. I’m glad to say that I didn’t drink this water.
Despite these worries and discomfort, the forest was actually very peaceful with the soft, almost lulling, sound of insects.
At some later point in the night, the urge to get out of the forest assailed me. Perhaps the urge came from the almost insufferable feeling of having to wait for the daylight and my discomfort. And perhaps also from the occasional sound of a car or noisy motorbike on the road below. The sounds reminded me just how close that road was.
Whatever the cause, I stood up, packed my bag, and put on my boots. I was ready to go. But when I looked ahead into the darkness, worrying thoughts once again assailed me. The worries overcame my urge to get off the mountain. Instead, I found a large stone, sat on it, and tried to sleep off the remainder of the night.
The night seemed forever and the hardest thing was this endless waiting in discomfort without any distractions except for dark thoughts.
A Magical Moment

“Beautiful mountain slope” It took a long, long time. But at some point during that night when I looked up I thought that I could see a little more than before of the things around me. At first I thought that this might be a trick of my imagination. But extremely gradually it became clear that things around me were becoming fractionally more definable. My spirits rose.
But I waited until I could clearly see the continuation of the path. And at first, I started along it very cautiously as it was still very dark. But as I followed the path it got lighter and the outline of the path clearer and my spirits in parallel rose higher and higher. It was actually a nice path in the light, a scenic walking route through the forest. It would have been impossible though to navigate in the dark. And there were some nasty looking wooden fences with spikes at the top that would have been dangerous to clamber over even in daylight.
The route was a winding dirt track covered in leaves and was at times a little difficult to navigate even in the growing light. But it was getting easier and easier. After about 15 minutes I was delighted to see the end of the forest. And at that moment, I suddenly saw a man with a torch coming into the forest. I shouted “konnichiwa” which means “hello” in Japanese. The torch flashed in my direction and then was gone. He seemed to be going in another direction. At first, I was confused because I thought this was somebody looking for me, such as a rescue worker. But then I realized that he was just an early morning trekker.

“Early morning trekker” Then I was out of the forest and walking down the long grassy mountain slope. The sun was rising to the left of me and suddenly I saw a baby deer. It was such a beautiful sight to see that deer on the mountain side in the early morning with the sun rising behind it. The scene before my eyes had the feeling of some perfect picture being completed.
Then it started to prance away up the hill. When it stopped I was surprised to see it next to a herd of deer all staring in my direction. It was almost as though I had gone from life, into death and back into a magical moment of life again.
I enjoyed that sight for a while and then I continued down the hill. As I neared my car, I could see three policemen. One of them was walking around my car and looking through the windows. I shouted in order to get their attention and soon the three policemen were approaching me.
At that moment I became a little worried as I wondered if I was about to be scolded. Yet, when we met, they were very pleasant. One of them gave me some candy. It wasn’t what I had expected; I was thinking of an ambulance, water or an isotonic drink and so on.

“Walking down a mountain trail” But it was also a relief that I hadn’t caused too much trouble. I apologized and they were very considerate about my well-being, asking if I had any injuries and so on. One of them let me talk to my wife on his cell phone because at that time I had no cell phone. I could hear my wife sobbing on the phone. That was a hard moment.
It turns out that my wife had fallen asleep about 9 in the evening and only realized my absence about 4 in the morning. About an hour later she called the police. They told her that she had to fill in a form and bring a photo of me before the police would do any search and rescue mission.
And yes, I would have had to pay for it and it wasn’t cheap. One of my biggest worries when I was stuck on the mountain besides dying was that I would have had to pay for a rescue mission. The last thing you need when in dire straits is the worry about the cost of being rescued and my fears were justified. “Luckily”, it isn’t so easy to get rescued!
The police let me drive home. I couldn’t believe that I’d come through this unscathed. Although I had slightly bent one of my easel legs and considerably scuffed one of the corners of my watercolor pad.
I drove slowly, windows down, enjoying the cool morning air. It started to rain gently. I stopped at a convenience store and bought an isotonic drink called ‘Pocari Sweat’ and some yogurt with fruit in it.
My hands were filthy, so I washed them in a tiny sink in the shop. Yet no matter how vigorously I washed them and used soap I couldn’t get all the dirt off them.
I got in the car and tore the top off the yogurt. I was so hungry. I eagerly got a spoonful of yogurt with a big piece of fruit in it. Then I put this sweet and creamy concoction in my mouth. To my surprise, I experienced instant, excruciating pain. The top of my mouth was red raw. It almost brought tears to my eyes. So I very carefully took small sips of the drink and then tried just a little yogurt. The second time, it was still painful but a little less so.
When I got home it was such a joy to see my wife and 2 year old daughter (who was telling mummy that everything was okay and patting her arm). Then I took a hot shower, put on my pyjamas and went to sleep for a short while. Later I took my wife and daughter to an Indonesian restaurant as a way of saying sorry. It was a lovely evening.
The following day the sides of my body were really painful.
I’m a fool, I’ll admit it. I did learn though that in mountain trekking, even when climbing a small mountain like I did, you have to be prepared. So next time, I’ll have a torch, a warm coat, some energy bars, an extra bottle of water and a waterproof coat.
Well, at least a torch.
Gareth.
Postscript
I originally wrote this story in October of 2014, I am editing it in May of 2022. This story needed very little editing.
I didn’t climb up this mountain again until the autumn of 2022. This time I climbed the other peak. The other peak was a bit scary to climb.
And this time I took my drone. On the way down the mountain slope I got some amazing photos. Here is one of the paintings I did from these photos.
Also, I should add, that this misadventure forced me into getting a cellphone which has been a very mixed blessing.

“Beautiful sunset over Mt Yufudake” -

Watercolor paintings of scenes around a Japanese castle
During 2014 I did a lot of paintings around Oita castle. I should add that there is no actual castle remaining. There is though a moat and some beautiful castle walls. There is also a garden within the castle grounds. And these are all in good condition.
The painting above shows one of my favorite views around the castle. It is a busy street next to the castle wall. In this painting you can’t see the road on the left because of the bushes and trees. On the right is a concrete and steel fence. On the other side of this fence, but you can’t see in this painting, is the moat.
And next to the moat is the castle wall. You can see the guard tower on the corner of the castle wall.
I have to confess that at first I didn’t like the concrete and steel fence. It is a big and blocky structure and I thought it extremely ugly.
However, I noticed that by viewing it from a sharp angle it creates a beautiful pattern that leads the eye of the viewer into the painting. They have since removed this fence and put up a very thin metal one.
I should also add that the people at city hall decided to put up a 2d image of the main castle building with scaffolding and lights. They probably wish to reconstruct the main castle building but don’t have the finances so this is their alternative solution. I don’t think anybody is very impressed. But it is interesting to look at when it is illuminated at night. It makes you laugh. So maybe it’s not so bad.
The painting above is my favorite one from this viewpoint. I love the contrast of orange and green in the top left hand corner of this painting and how I got them so close together. I also like the long dramatic evening shadows.
Here are some more paintings from this viewpoint. They are very dramatic and moody evening scenes and I am delighted with them. In these paintings I chose a portrait format. This long vertical format emphasizes the strong verticals in the image such as the tall buildings and the long evening shadows as well as the near vertical lines of the moat wall and the greenery next to the road.
I particularly like the extremely long shadows of the figures in these paintings.

“Long evening shadows by the castle 1” 
“Long evening shadows by Oita castle 2” 
“Long evening shadows by Oita castle 3” 
“Long evening shadows by Oita castle 4” The following paintings are of the same viewpoint but with a landscape format. They are a little tamer, perhaps normal would be a better word, than the previous paintings. However, I still think they are quite nice paintings.

“Beautiful evening walk by the castle” I like the foliage in this painting and the warm, relaxing mood.

“Walking by the castle” In this painting, the big and blocky fence makes an interesting pattern. It also helps to give a wonderful contrast of light against the dark castle wall.

“Blue sky walk by the castle” This painting captures something of the beautiful blue sky day when you just really want to get outside and walk. I love how well I have painted the trees in this painting, they seem to have an energy to them.

“Walk under the fir trees by the castle” I’m not sure if this painting is so good. I think I might paint this one again in the future as I think the composition is good but other parts of the painting need improving.

“Cherry blossom by the castle” And here is the new viewpoint if you turn and look in the opposite direction. You can see the Cherry blossom trees in the distance. That is around the area which I call the picnic area.
Quiet side street by the castle

“Quiet side street by the castle 1” This is another street by the castle. The atmosphere here is much more peaceful. And there is a line of beautiful fir trees down the middle of the road. On blue sky summer days, these fir trees cast large shadows across the street. In this painting I wanted to emphasize the beautiful green glow of these trees and the cool purple shadows they cast.

“Quiet side street by the castle 2” This is the same street but from the opposite side of the road. Although this painting is a little rough I think it has energy. I really like the brilliance of the light in this one. And I think the trees are well done.
Castle moat scenes
I tried to paint a picture that showed mostly the moat. To be honest, the moat didn’t look so beautiful in normal lighting conditions. So I tried to turn this scene into a semi-abstract work with very dramatic evening light. I wanted to imbue the image with a feeling of beauty and mystery.
It was quite a challenge and when I originally painted this picture I thought it was a failure. But now I think this painting is very good.

“Evening light and shadows by the moat 1” This second painting is the original painting but cropped into a horizontal format. Sometimes I find it very interesting and fun to crop a picture.

“Evening light and shadows by the moat 2” And here is one more painting from this viewpoint.

“Evening light and shadows by the moat 3” Viewpoint inside the castle grounds

“Walk around the castle grounds 1” This is one of my favorite viewpoints from within the castle grounds. I just love the arrangement of shapes here. And luckily this painting turned out particularly well.

“Walk around the castle grounds 2” And here is another painting from the same viewpoint but this time with a slightly darker and moodier atmosphere. I also like this one.

“The castle moat 1” And here is a more expansive view of the moat.
I perhaps went a little too moody with this one. And, to be honest, I was hesitant about adding this painting because I’m not sure it is completely successful. However, another part of me thinks there is something very special about this painting. I definitely was experimenting when I did this one. I wanted to create a moodier and more abstract image. I did this by having intense light that destroys the clear forms of individual objects. Instead, the individual objects merge together. At least to a certain extent. But I don’t want to go too abstract. I think the final result is quite beautiful and has a feeling of mellow mysteriousness.
I’m also very happy with the rough sparkle effect across the surface of the moat.

“The castle moat 2” Here is another painting from the same viewpoint. Here the light is less intense. And also, this one is cooler. I was also hesitant about adding this one. I eventually decided to add it though because it is interesting. Also, I thought it was a good idea to add it as an interesting comparison with the previous painting. Whether it is a successful painting though, I’m not sure. Perhaps it is a brave step towards a successful painting.
Picnic area by the castle

“Stroll by the castle” And this is another one of my favorite viewpoints within the castle grounds.
One of the main reasons I like this area is because there is a bench and so I can sit and paint in relative comfort.
It’s also a place with a good view of people walking past. People are a very fun subject to paint. And I’ve done a lot of paintings from this viewpoint of figures strolling past.
I have to confess though it’s not the most exciting viewpoint. And there is the danger with this scene that the horizontal line of trees acts as a barrier which stops the eye from going further into the painting.
Cherry blossom
All those trees by the way are Cherry trees. And I have done many paintings in Spring of the Cherry blossom from this viewpoint.

“Family reunion in the long evening shadows of the Cherry blossom trees” I am very happy with this painting. I like my attempt to capture the appearance of the Cherry blossom at late evening time with the sun being low in the sky and with the Cherry blossom trees casting long shadows across this wide area.
I also like that this painting tells a story. Here we have a father who is meeting his wife and son by the Cherry blossom trees after a busy day’s work.

“Barbecue smoke and Cherry blossoms” Japanese people are crazy about the Cherry blossoms. And during this season many people come to this area to have picnics and barbecues whilst looking at the Cherry blossoms.
I like the light and delicacy of this particular painting.
City view

“Retreat from the city” From this viewpoint you can see the castle guard tower on the corner but behind it you can see the surrounding modern buildings. I like to paint this contrast between the old and the new.

“Stroll by the Cherry blossom on a beautiful spring day” Here is another painting from the same viewpoint but in this one the buildings are much more clearly defined. I love the textures in this painting.

“Refreshing walk by the Cherry blossom trees” And here is one more painting from the same viewpoint.
Statue

“Cherry blossom by a Japanese castle” In this picnic area there is also a statue. I like this statue a lot and on one occasion did this painting of it. When I painted this picture I was standing right next to the bus stop and sometimes people would stop and give me a compliment.
You can read about my experiences painting these Cherry blossom scenes here.
That’s all for now
That’s all the paintings I’ve done so far. Most of these paintings were done in 2014. I did a lot of paintings around the castle around that time.
Some of these paintings are for sale at my gallery shop which you can see by clicking here.
Gareth.
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Watercolor paintings of my local Japanese river which I did in 2014

“Beautiful evening sky by the river” I often go to my local river. It is called Oita river. And it is only a few minutes from my house.
This river provides a wonderful choice of painting subjects as well as being a wonderful place for painting sunrises and sunsets.
And in 2014 I painted many pictures of this river.
My favorite viewpoint
The painting above shows my favorite view of the river. Here are two more paintings I did from the same viewpoint.

“Golden sunlight sparkles across the river” This viewpoint is particularly good for painting dramatic skies as well as sunrises and sunsets.
Also, from this viewpoint, the figures look very dark and dramatic as they contrast strongly with the bright sparkle of the river.

“Peaceful, evening walk by the river” In this painting, I love the soft wispy clouds and faint touches of rose in the evening sky. The sky imbues this scene with a feeling of beauty and peacefulness.
Below is a different viewpoint of the river that I often find more challenging to paint but on this occasion worked out very well.

“Morning fisherman walking home” I particularly like the bright colors of the trees in this painting and the delicate texture of the grass.
Bridges
There are many bridges across this river and although none of them are particularly beautiful I find them an interesting subject to paint.

“Friends fishing by the river” In this painting of a bridge, I like the fishermen in the foreground. I often see them by the bridge and they help to make this scene much more alive and interesting.

“Fishermen gathering by the bridge” I also like the dramatic shadows that the bridge casts and I do my best to emphasize that feature in this painting. And once again the fishermen help to make this scene more alive and interesting.

“Beautiful reflection of the sky upon the surface of the river” And this painting shows the view from the top of a bridge. On this occasion, there was a beautiful reflection of the sky upon the surface of the river.
Embankment
One of the things I least like about the river is the artificial embankment. Nearly all Japanese rivers have them.
I have done my best though to turn the embankment into something interesting and even beautiful.
I think I’ve done a pretty good job of that. And I think this challenging subject has turned me into a better artist and led to some very interesting paintings.

“Stroll by the river on a sunny and misty day” 
“Stroll by the river on a sunny and misty day” Anecdote
An extra attraction of the river other than as a painting subject is some of the joggers I see there and their unhealthy pursuit of health.
And here is something I wrote about them in July of 2014.
It was hot and humid and there were people jogging past me who were desperately gasping for air.
I felt like telling them to stop and just walk. It would probably be healthier for them.
Besides what if they suddenly collapse from a heart attack. Then I’d have to try and do CPR and this would be extremely stressful for me as I can never remember the ratio of breaths to chest presses.
However, the gaspers are not the strangest kind of jogger. This spot is reserved for the sweaters.
This kind of jogger puts on a lot of clothing despite the heat. And I saw one such person today. He was wearing a jacket in summer in Japan and he was soaked in sweat. I saw quite clearly drops of water running down his hands and hanging from his fingertips.
And there is one jogger I occasionally see who is the champion sweater because he wears a full tracksuit – all black of course – and a hood up so that you can’t even see his face.
I have to add that these people are not fat either.
Of course, being an artist and hoping to become successful from it is perhaps one of the maddest pursuits of all.
That’s all, Gareth.
Postscript
I originally wrote this anecdotal story in July of 2014, I am editing it in 2022.
Sadly it has no painting to go with it. But when I saw how many paintings I’d painted of my local river during that year then I had the idea of showing those paintings as a series and adding on this story at the end.
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Painting inspired by a drive in the rain
Today I went to help my friend Mark. He was clearing up his exhibition in a small tourist town called Yufuin.
It was a long one hour drive from Oita city, where I live, to Yufuin. And, ironically, when I got there my friend was leaving. He only had time to shake my hand, wish me well and then said goodbye.
But my trip had not been completely in vain because I also had two paintings in Mark’s exhibition. And I had partly come to collect these.
But then, at the exhibition, I met a gallery owner who offered to take my two paintings and put them in her gallery. Of course, I accepted her offer. This gallery owner already shows some of my work but I was delighted that she was going to show more of my work.
However, at the same time I realized that I hadn’t really needed to make that long one hour drive to Yufuin.
And now that I was there I felt reluctant to just go straight back home. So I hung around, feeling at a bit of a loss.
But this was how I got the chance to see another artist put up her work. And her work was amazing. It is called bingata in Japanese and it is essentially dyed fabrics.
But these fabrics can become all manner of things as I saw when looking at her work.
One of her works, for instance, was a painting of Yufuin. It was a vibrant, colorful picture of the place and it was beautiful. Another was a real kimono with a beautiful design.
And another was a koinobori. This one was very impressive. It must have been about 10 meters long and it looked stunning.
A Koinobori is a tube-like flag, a little like what you see at airports sometimes. They fly in Japan from the top of very high bamboo posts. And the design on this flag is of the carp fish. They always fly them around boy’s day. In Japan they have a day to celebrate boys and a day to celebrate girls.
I actually did a painting of some koinobori. I wasn’t pleased with it though so I threw it away. However, I think they are a great subject for a painting so one day I will try to paint them again.
Anyway, looking at these large, stunning and beautiful works of art, I felt some regret that I didn’t have my camera with me. I realized that I should carry my camera with me everywhere.
It was a long hour’s drive back home and it was raining. It was also a somewhat surreal experience. It was dark and wet and the mountains were mysterious apparitions only partially visible with almost black pine trees in front of them.
The road was a reflective mirror-like silvery gray and car lights and street lights reflecting brilliantly across its surface. In the rain, the light seemed to be almost scattered across the surface of the road.
My window kept misting up and I had to keep lowering it.
Despite it being late and very dark, I had to stop the car and do some sketches. The scene was so powerfully atmospheric and looking at it rejuvenated my spirit.
The next day, in my studio, otherwise known as the kitchen table, I did some paintings in which I tried to capture that amazing atmospheric scene.
They are really experiments. And although these experimental paintings are not quite right they are very interesting and I am hopeful.
As for the painting above, I’m not happy with it because the scenery was actually a lot darker, more dramatic and more misty so I still have to work upon this and try to capture those qualities.
Below is another one I did. I’m not happy with it either. But it’s fun to paint this kind of scene.

“Car lights in the rain” Postscript
This story was originally written in June of 2014, I am editing it in 2022.
Since 2014, I have done many, many paintings of this atmospheric scene I saw on the way back from Yufuin. But I think all my results have failed.
One day I know that I will do a good painting of this scene. But sometimes it takes many attempts before I can make a good painting. Such a painting will convey the magical atmosphere that I experienced.
My wife hates these particular paintings. She thinks they are too dark. I, on the other hand, find them very interesting.
In the process of editing this story, and other stories from the year 2014, I saw that I did a lot of rainy road scenes in that year as well as some rainy scenes of a festival in a place called Nagahama.
And so here’s one more painting – just for the road (I love bad jokes). I quite like the surface of the road here but it’s still not quite right! I sigh but then I laugh and forget about it. One day, I tell myself, I’ll make an amazing painting of this incredibly atmospheric scene.

“Atmospheric drive in the rain” -

Watercolor paintings of a wet beach with soft reflections
For the last four or five days it has been raining but today the sun came out. It was like a blow torch on my back. And so I scuttled back into the house like a louse scuttling under a brick.
It’s getting humid in Japan. I call this the soggy season because it rains a lot. But you could also call it the sticky season because everything becomes sticky. It is quite unbearable.
However, I am having a great time being in the house because I have been messing around in my studio (also known as the kitchen table). I seem to be going through a creative period.
Perhaps it’s because I am painting over the top of failed paintings or scrap paper. And it has released all my inhibitions. I highly recommend it.
Presently, I am interested in a drawing I have of a beach called Itogahama. I have no idea what the name means.
Maybe it means “dumping ground” because this beach is covered with rubbish.
This is sad because this is a very beautiful beach. It has some lovely features such as a dramatically steep cliff face topped with trees and beautiful outcrops of rocks going into the sea.
Below are some of my experiments on scrap paper. If you look carefully you can see the pencil marks of previous drawings on most of them.

Watercolor sketch of Itogahama beach 1 
Watercolor sketch of Itogahama beach 2 
Watercolor sketch of Itogahama beach 3 
Watercolor sketch of Itogahama beach 4 These experiments led to the painting below. The thing I like most about this painting is the surface of the beach.

“Fisherman strolling across a wet beach” There are a lot of layers in this painting. There is a distant mountain range. Then, there is a distant outcrop. And then in the final layer, there is a nearby outcrop of rocks with trees.
Painting this final layer was the most difficult. The reason is that after painting this final layer then I wet the whole beach area and waited for the best moment to paint the beach shadows.
Choosing the right moment to apply the paint is very tricky.
However, it is also fun.
And while this was still slightly wet, I created lines of light through those soft shadows on the surface of the beach with a damp brush. This gives a beautiful sheen effect.
After finishing the beach area, I did some dry brush marks for the sea using a very light grey-blue color mix. I was careful though to leave a white gap between these dry brush marks and the beach. This white patch is the sea foam.
I became so infatuated with this scene that I did another painting of it.

“Fisherman strolling across a silvery wet beach” And then I did another and another. This must be called striking a creative vein!

“Fishermen meeting on a beach” 
“Fisherman walking across a golden beach on a sunny day” Anecdote
I couldn’t help adding this extra and totally unrelated story.
I went to the library today with my toddler. She’s one year and nine months old and a handful.
Today, she was throwing books off the shelves, arranging them in a line on the floor and then walking over them. At least she didn’t rip a cover off today.
When I went to put the books back on the shelves, she would run off to another section and repeat the whole process.
She has this wicked little laugh, a rich chuckle, as she runs off to get up to more mischief. I love the way she sees it all as a game.
The librarians have a different attitude. And the security guard even came by at one point. However, he just smiled. Is that nice or what?
Postscript
I originally wrote this in June of 2014. I am editing it in 2021. I am very happy with these beach paintings.
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Watercolor paintings of the Cherry blossom in Japan

“Refreshing walk by the Cherry blossom trees” It is cherry blossom time and people are gathering under the cherry trees, called Sakura in Japanese, and having picnics.
And that’s what I did today with my family. It’s all very festive and sociable.
My father-in-law, who loves Japanese history, was trying to tell me about cherry trees being gifted to America by the Japanese in 1912. They were first planted along the Potomac river and have become a symbol of friendship between Japan and America.
Although beautiful, cherry blossoms are difficult to paint in watercolor because of their lightness of color and it is necessary to leave white paper in order to achieve this lightness.
A few years ago when I attempted to paint cherry blossoms I was so disgusted with my results that I just gave up.
Last year, however, I had another go and was a little more pleased with the results. And so this year I had another go.
To be honest, I still feel that I haven’t captured that delicacy and beauty. However, I am happy with these results and look forward to doing more cherry blossom paintings in the near future.
Sadly, the first painting I did on this day wasn’t very good. So I’m not going to show it.
However, while I was painting this picture, a tourist from Honolulu stopped to talk to me and tell me about his life and travels.
He’d wanted to visit the city next to Oita which is called Beppu. It is famous for its natural hot spas and hot sand baths. But by mistake he’d ended up in a hotel in Oita.
It was really enjoyable to speak to a native English speaker as sometimes I go for weeks without talking to such a person except for family on the phone.
I am somewhat of a recluse.
Well, I can’t waste valuable time socializing that could be used for painting. And also there aren’t so many foreigners around in Oita.
Below is my final painting of the day. To be honest, I’m not very happy with this one either.

“Picnic under the Cherry blossom” While I was painting this final one I got numerous compliments from people, especially old Japanese women
And two Chinese girls came and talked to me and even took a picture of my painting and a picture of me next to one of them.
This used to happen a lot when I first came to Japan but is now quite rare. Perhaps it is because I’m getting wrinkly.
I left with the sun going down and large groups of people coming with crates of beer and barbecue grills. It looked fun.
The next day

“Cherry blossom by a Japanese castle” The sun shone again today so between housework, job and daughter I found a gap for painting. I’m an artist with clipped wings!
So, I cycled down to the castle again to paint the Cherry blossom. And I found the beautiful scene above right next to a bus stop.
I received quite a few compliments from passersby. The most memorable was by an old Japanese man with a warm smile who said: “I also paint but you are much more excellent than me”.
If these compliments stroked my ego, my wife soon remedied that at dinner time. About fifteen minutes after she had told me it was April Fool’s day she said that the raisin bread I was happily chewing on was two days old.
To be honest, I would have still eaten it even if it was two days old, but her remark did make me pause in mid-chew with a look of concern; and this really delighted my wife, her smile was almost glowing.
The day after next

“Walking beneath the falling Cherry blossom” I could have painted the cherry blossom by the castle again today, but I felt the urge to move out of this comfort zone and try another place.
So I went to a place by the river.
I instantly regretted this urge when I felt the very cool breeze by the river blowing against me.
But I had decided so now I was following through come hell or cold breezes. Okay, maybe a tsunami would make me turn around.
And I found a beautiful scene to paint after all.
It took me a while, though, to find a good composition. I would say this is the most important element of a painting. You really are doomed if you don’t get the composition right and for this reason I don’t mind spending quite a long time looking around and making rectangular frames with my fingers.
If you want to learn about composition I recommend the Complete Guide to Watercolor Painting by Edgar A Whitney. This book helped me a lot.
When I did finally find a good composition I discovered that I had no easel! Is this senility slowly creeping up on me? Is this a portrait of the artist in decay? I chose a very down to earth solution and sat on the grass.
As I painted, the frail cherry blossom began to fall like snowflakes all over me: on my paper, on my palette and in my water bucket – where it subsequently got stuck on my brush.
I had to shake myself down when I got up. This is part of what it means to be a plein air painter; an intimacy with your subject that is a true oneness.
Painting the cherry blossom, as I said before, is a challenge and the best approach is to throw away carefulness by throwing paint onto the paper. And I literally did this: it is a technique called splattering but it could also be called fun.
Splattering is a good technique for a medium that doesn’t respect timidity and reveals it’s best through boldness.
Amazingly all this splattering and dashes of blue sky worked wonderfully well. It was nerve-wrecking and exciting at the same time, which is normally a good sign, and it felt the same as I was painting the greenery and getting those subtle variations.
After this dried I added shadows, tree forms and figures.
I returned home with numb fingers from a cold spring breeze. Although when I rode back home on my bicycle that same breeze was behind me and it was blowing me so strongly that I almost didn’t have to pedal.

“Enchanting walk beneath the Cherry blossom” I am so delighted with these two paintings.
Sometimes before I start painting, I have a vision of what I am trying to paint and this happened here.
And the final image was very close to my vision.
What I didn’t express was the falling cherry blossom. I’m not yet ready for that challenge, perhaps next year.
Obsessed with the Changing Cherry Blossom

“Stroll by the Cherry blossom on a beautiful spring day” Yes, I just can’t stop. It’s really amazing that I’ve lived here for seven years and not realized how beautiful the changing foliage of the cherry blossom tree is. It’s like suddenly seeing a gift on my doorstep that has been there for seven years.
Perhaps I never really noticed the beauty of the changing Cherry blossom because until last year it was beyond my painting abilities.
And now that I can paint it I’ve started to really fall in love with the changing foliage as the white Cherry blossom falls away and green leaves begin to appear. It is so beautiful.
So, I went again to the castle.
This time I met a group of drunken Japanese women. They were very friendly. And I wished that this was twenty years ago! Because these women now look like my older daughters!
They were trying to get me to eat some food which was very kind of them. The problem was that I was full and I was trying to paint a picture. It is not easy to paint with a rice ball in one hand. I took a little food just to please them.
And, then, they tried to convince me how handsome I was and I was trying to convince them that I was an old man. It doesn’t help that they are kneeling at your feet with a paper plate of food and dishing out lots of compliments.
And here is the painting I did.

“Barbecue smoke and Cherry blossoms” So in this painting there are three friends having a barbecue together.
In reality, this is where the group of drunken women were.
They were in the foreground and I thought that having people in the foreground in the painting would make a good composition.
Of course, if I kept looking in their direction it might get taken in the wrong way and so instead of staring at them and copying them I replaced them with some figures from my imagination.
I thought three men next to a barbecue would look good. I often paint a lot of my figures from my imagination.
I also draw people all the time in my sketchbook so drawing figures has become quite easy.
I really enjoyed adding that barbecue smoke. I think it works really well.
The second painting was more difficult to do because it was getting quite cold and I was losing sensitivity in my hands.

“Family reunion in the long evening shadows of the Cherry blossom trees” In this painting, you have a little story of a mother and son seeing father coming back from work. It’s a friendly scene of a family reunion after a busy day.
What I think both paintings have is a wonderful sense of atmosphere. I can really feel this when I look at them.
Sometimes I forget about the atmosphere when I paint because I’m so fixated on making a good looking painting.
However, when I look at these paintings I can see that atmosphere is the most essential thing because the viewer can feel something.
In other words, the viewer experiences an interaction with the painting.
But it is not just the Cherry blossom that is catching my eye. Everywhere the foliage is looking beautiful because you can see the refreshing green color of Spring.
And the countryside, as you’d expect, is especially beautiful looking in this season.
In fact, it is driving me a little crazy not being able to get out there and paint it. I have that awful missing out feeling but there are family responsibilities and work.
I console myself with the thought that I have the cherry blossom trees near the castle and just this has inspired me and developed my abilities so I have to learn gratitude for that.
That’s all for now,
Gareth.
Postscriptum
This story was originally about 4 or 5 stories. But I joined them together into one. They were written around April of 2014. I edited them in January of 2022.
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Watercolor paintings of a Japanese river
This is a painting of Oita river.
This river is on my doorstep.
And I love this river.
It’s a small haven of space, greenery and fresh air surrounded by a city that is cramped, gray and full of cars and noisy motorbikes belching out gasoline.
I have to admit this river is not all beautiful.
The Japanese are excessive in their use of concrete and even by the river there is concrete everywhere.
At the same time, I have to confess the concrete path is extremely convenient and it would be very unpleasant to have to walk through one or even two meter high plants.
And, nature, as much as I love it and would love to say it is wonderful, is not simply wonderful.
Nature in Japan is like a wildfire and along some wilder stretches of the river you can see an extremely dense mass of trees, bamboo and bushes covered in a net of ivy. It’s not pretty.
But the river is still a haven compared to the surrounding city and I have spent many hours outside painting this river.
I think these paintings were done in 2013.
At that time I was still struggling with the medium of watercolor and although I enjoyed painting outdoors by the river I also experienced a lot of frustration and produced a lot of bad paintings.
The paintings here are the few survivors from the many paintings I have done of this river.
The picture above is my favorite one of this small surviving collection.
What I like most about this painting is the strong mood of beauty and peacefulness.
Some of the other things I like are:
The viewpoint. This is one of my favorite viewpoints of the river and I have done many paintings of the river from this spot.
And I like to paint figures walking by the edge of the river with the water sparkling behind them.
Next, I like the sky in the painting which is very luminous and has a very soft and gradual diffusion of a yellow sun into a blue sky with a cluster of beautifully shaped, warm gray clouds around the sun. This pattern of the clouds makes for a lovely composition.
And I like the reddish mountain (which is actually very unnatural but works in this painting) with the receding mountains becoming noticeably bluer and cooler.
The distant buildings and foliage work fairly well as you can distinguish the different objects but at the same time it is subtly done.
And the river has a beautiful glow and sparkle.
The foreground is very nice. The green is just the right color, the distant tree is well painted and the figure slightly disappearing into the grass gives a lovely feeling of softness.
For me, this painting is magical.
I won’t, though, say anything about that signature except that I’m happy it’s fairly small.

“Early morning fishermen walking by the river” What I like most about this next painting is the vast expanse of sky.
This painting has a very similar viewpoint as the previous one.
But I think you’ll agree that it has a very different mood.
This is an early morning scene and I like the early morning long shadows of the figures in this painting.
I also like the reflective surface of the river and the sparkle.
And I like the brown grass and gravel path in the foreground which has been subtly but beautifully depicted.
The background is okay. The buildings are not particularly beautiful but their irregular shapes of the buildings along with the reflective roofs creates an interesting skyline.
I think the figures of the two fishermen on the left hand side of the painting are fairly well done and also the figure of a woman with a dog in the distance.
But the other two figures are not so good.
I think those two figures are the weakest part of this painting.
At some point, I’d like to paint this picture again and try to improve those two figures.

“Fishermen returning home” This painting shows a small island in the river.
I think this island creates a very interesting scene.
This scene has since changed though as they have built a bridge across this river at about this point.
This bridge has spoiled the view and I no longer paint this island.
What I like most about this painting is the luminosity.
This painting almost glows with light.
I also like the bright colors.
Next, the distant background is a beautiful gray color that has subtle touches of a green color within it and some interesting little gaps.
It looks very realistic.
The trees are lovely shapes and have beautiful shadowy areas.
And they have a beautiful bright green color.
And the grass is well done, especially that brown grass on the island. I’m delighted with that.
The green grass in the foreground looks good. I love the touches of brown and the tufts of grass.
Also the subtle blue color of the river and the rich, dark gray-green reflections are very good.
The figures of the two fishermen are passable. I don’t like how similar they look to one another. For instance, both seem to have the same hat but in a different color.
If I painted this picture again then I would make these two figures much more different from one another. Or I would just have one figure.
But overall, I like this brightly colored painting. There is a feeling of it being a lovely day and there is an aliveness and cheerfulness in this scene.

“Peaceful evening by Oita river” What I like most about this painting is the very subtle color changes.
So sometimes I paint from the other side of the river and this painting is from the other side of the river bank.
This side of the river gives an interesting view of Oita city center and the mountains behind the city.
I like the way I have painted the distant skyline in this picture. The distant mountains are soft and seem to melt into the sky.
And the city is beautiful. The color of the buildings is nicely subdued and yet there are a few subtle color variations which make it interesting to look at.
Then there is the lovely blue sparkle upon the river.
And the foreground grass and trees are well done.
And I like the figures and the boat, especially the shapes of these objects. I think they might be even better with a little more color added to them. But I’m not completely sure about that.
I don’t often paint this outlet. This is because it is artificial and the sides are very straight so I don’t think it is a particularly nice subject to look at.
But in this picture, I tried to hide the straightness of it with the rough grass and trees and the reflections and I think it turned out quite nice.
Overall, I think this painting has a lovely feeling to it. For me, it beautifully captures a quiet, evening moment by the river.

“Factory smoke and morning sunshine” This is an odd painting.
In the foreground, for instance, we have something almost bucolic and idyllic, as we have some greenery and people fishing and a boy with a butterfly net walking by the river with his father.
But across the river it is not at all bucolic or idyllic.
You can see gray city buildings and the distant steel factory with those tall chimney stacks which are belching out gray smoke.
Although not exactly beautiful, those chimney stacks along with those baseball lights and some of the tall buildings are quite interesting shapes and make for a very interesting skyline. I especially like the shape of the baseball lights.
And I thought that the gray smoke passing in front of the early morning sun and the white fluffy clouds is not only visually interesting but kind of beautiful. Perhaps I’m brainwashing myself.
Whether this painting is beautiful or not, it is certainly interesting and so I’m glad I painted those chimney stacks and all that smoke.
Steel factories have a big significance in my life.
And not simply because nowadays I live right next to one.
But also because my mum’s family is from Dublin, Ireland and her family moved to England in order to work in the steel factories.
It was a good job with a good salary until they closed nearly all of them down.
Although I don’t like having a steel factory near where I live, at the same time I think it is important for a country to have heavy industries.
That’s all,
Gareth.
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Pencil sketches of a very young child asleep
In 2012 I had one of the best experiences of my life. My daughter Anne was born.
Well I call her Annie.
But it is really spelt Anne.
And in Japanese it is “An” and this is the kanji “杏” and it means apricot.
It was only after having children, and I adopted two before this, that I realized how wonderful children are.
I wish that I’d known this when I was younger.
Alas such is life, we tend to learn after the fact and then suffer.
It’s not very fair but then again nobody said it would be.
Anyways, for me, the best thing in life has been having children.
So during this year and the next few I had very little time to go gallivanting outside and painting landscapes as I was very much house-bound looking after my baby.
But I took advantage of this marvellous situation by doing a lot of sketches of my daughter.
And here are a few of those sketches.

“Face of an angel” 
“Beautiful repose” Luckily there’s a date on this sketch.
Annie was born on August 6 of 2012 so this must be May 31st of 2013.
I’m so grateful for that date because at first I thought these sketches were from 2012 but now I know they are from 2013.
This year (2021) I have been organizing my artwork, which consists of over 1000 pieces, and one of the biggest problems has been knowing when I created a piece of art and it made me realize the importance of dating my work.
Sadly I’m still not putting a date on my work although I do show each new work on Instagram (well most of them) which dates it for me.
But I perhaps shouldn’t depend on that too much and I should add a date in pencil on the back of each artwork.

“Beautiful posture” All of these sketches are of Annie sleeping.
This was the best time to draw her as she wasn’t moving.
Also at this time, I was free.
Furthermore, I like to draw sleeping figures because they are a very interesting subject.
The sleeping posture is often very interesting.
The pattern of the folds on the bed sheets is also interesting.
And the feeling of relaxation is wonderful.
And the face often has a calm and almost angelic appearance.

“Simple line drawing of a sleeping child” Sometimes I would do a very simple line drawing of Annie such as above.
Although it’s very minimalistic I like it very much.
That’s all,
Gareth.
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Powerful watercolor paintings of the sea
During 2013, I would often get on my bicycle and cycle to the sea.
It was just a 10 minute cycle ride.
And at the sea, I had a spectacular view of Beppy bay.
I would usually go at evening time and paint the sun setting over this bay.
It was a wonderful experience.
And here is a collection of the paintings I did of Beppu bay during that year.
I have no idea now what order I painted these pictures.
So I will show the one above first because it is my favorite.
I have the vague notion that when I painted this picture I was just playing around.
This is always a good way to be when painting because you relax.
And relaxing often leads to exciting things happening.
And for me this painting is really exciting.
It has a vibrancy that is much stronger than in my usual work.
I have tried to paint this picture again with the intention of capturing that vibrancy but I couldn’t.
But I will try a further time because I want so much to paint a sky with such vibrancy.

“A fishing boat returning home” I am also very happy with this painting.
It has a lovely feeling of peacefulness.
It’s an unusual painting for me in capturing a moment after the sun has gone down.
Normally I paint dramatic sunsets.
And it’s almost a monotone painting except for a faint touch of yellow.
I like the composition of this painting.
Especially that cluster of clouds on the left hand side that slowly thin out towards the right.
And I like the “fluffy” edge of the clouds which gives a feeling of movement.
If you look at the composition as a bunch of abstract shapes then you can see how the boat is like a dark blob moving towards a bigger darker blob on the left hand side.
Looking at the painting in this abstract way gives me interesting ideas for future paintings where I can imitate that abstract pattern but change other elements such as the time of day, the objects and the colors.

“Rays of light hitting the sea” For a long time I wanted to paint rays of sunlight hitting the surface of the sea.
It looks so beautiful and dramatic.
And I think this is one of my earliest and most successful attempts at painting rays of sunlight hitting the sea.
As well as the rays of light, what I also like about this painting is the delicacy.
Despite capturing a powerful moment this picture does it in a soft and slightly subdued way.
And I like those little ripples in the foreground and the slight change of color to a greenish gray.
As I look carefully, I can see that there are a lot of beautiful subtleties in this painting.
And, finally, this painting is very large and so I am also glad that it worked out.
Normally, it is much more difficult to get a good result with a large painting than with a small one.

“The final glow of evening” And here is another painting I really like.
I am well aware that I keep saying how much I like each painting.
Perhaps it is becoming an annoying refrain.
But you have to remember these are the few survivors from a large number of paintings that got binned.
As for this particular painting, I like the limited number of colors.
It’s basically a monotone painting with a touch of yellow.
The yellow glow of the sky amidst those soft gray sweeping clouds and the dramatic reflection of the yellow light across the surface of the sea that is streaked with long gray shadows is beautiful.
I think the shape of the clouds has been painted very well and the final effect is extremely beautiful.
I also like that tiny fishing boat.
It’s tiny size helps create a feeling of vast space, even a touch of epicness.

“A beautiful day at sea” This is a rather simple painting but I am very pleased with it.
The color palette is very limited consisting mostly of a warm gray, blue and black.
I like the misty background and the soft but dynamic feel of the clouds.
The ship is well painted and also catches the eye.
And there is a refreshing sparkle across the surface of the sea.
The only thing I am upset about is my signature which is too big and not very elegant.
I want to wash it out and redo it.
However, I won’t because there is a high chance that I will wipe out the paint underneath and thus spoil the painting even more.

“Ships at anchor” I did several paintings of seascapes with big ships.
Luckily, I often see ships when I go to this bay.
There is a big steel factory by the bay called Shin-ni-tetsu and there is a regular flow of big ships going to and from this factory.
And the ships are sometimes anchored near the factory.
I think at the time I did this painting there were three ships at anchor.
I don’t know why I only painted two, especially as I think three would have been even better.
And I might add another ship in a future version of this painting.
But I am very happy with this painting.
I think the sky is stunning.
I love the intense colors and the shapes of the clouds.
For me, there is a feeling of dramatic beauty and vastness in this painting.
My only regret is once again my signature.
I wish it was smaller, simpler and less conspicuous like my present signature which is just the two initials of my name: “G” and “N”.

“Beautiful evening crossing” Here is another painting with a big ship.
I like once again the simplicity of colors.
Essentially you have a warm red, a cool blue and the white of the paper.
And I am very pleased with the dramatic shape and softness of the clouds, the misty mountains in the distance, and the calm feeling of the sea.
But once again I am disappointed with my signature.

“Red evening glow across the sea” This painting was an experiment.
And I think there is a slightly dreamy or surreal feeling about this image.
Perhaps one of the reasons for this surreal feeling is the intensity of the red across the surface of the sea.
It’s too red for a realistic image.
But I love it.
And perhaps another reason for the surreal quality is the softness.
Only the boat and the birds are hard shapes in this painting.
And as you look down from the top to the bottom there is a lovely transition of color and intensity.
At the top is a very pure blue, next a mix of that blue with white and a warm gray, then this sinks into a gray and this gray sinks into a very pure and transparent red and then this red becomes combined with lines of blue and finally the red fades into a very light red and the blue becomes more dominant and darker.
And finally I love the shape of the boat and its position in the painting.
Yet once again I can’t say I’m happy with my signature.
It’s too big.

“Evening grandeur” This is my final painting.
And it’s a little different to the others because of the variety of colors and that touch of orange.
In most of these paintings I’ve used a very limited number of colors and no orange.
And sometimes I’ve been extremely limited with the color and made essentially a monotone painting with the subtle addition of just one color.
But in this painting there is a lot of color variety.
In the sky, for instance, there is a light purple, blackish gray, almost pure blue sweeping clouds, orange and a very light blue.
But even though this painting has more variety of colors than the others, it is like them all done with a soft and subtle touch.
And once again, like in a few of the paintings here, there is a feeling of vastness due to the tiny fishing boats.
I love this feeling of vast space.
Final word
I hope you enjoyed seeing these paintings of Beppu bay.
I am so happy to have this place on my doorstep.
It is a source of inspiration for me.
That’s all,
Gareth.






























































































