Category: Outdoor watercolor paintings

  • Outdoor painting nightmare on a mountain

    Outdoor painting nightmare on a mountain

    Watercolor painting of clouds above Mt Yufudake
    “Clouds gather”

    Part 1: Ascent into the Mist

    Monday is a free day and if the weather is fine then it’s a chance for a painting trip. It’s a really special day for me as I love outdoor painting. 

    On this particular day, the weather forecast was cloudy at first but it would gradually become sunnier. But the forecast is sometimes wrong so I waited until there was a noticeable change for the better.

    My destination was Mount Yufudake. I recently discovered this beautiful twin peaked mountain on one of my painting trips. 

    I painted a close up of one of the peaks and enjoyed it so much that I wanted to have another attempt. After all, this was a new subject for me and still very challenging to paint.

    What I didn’t know was that this was going to be a very eventful trip.

    And the first event was a near accident on the way. I was driving up a narrow and winding road in Beppu city when a driver, who was coming in the opposite direction and wanted to turn right, suddenly swung over into my lane. He was totally oblivious of me until I beeped. It was a shock for both of us.

    The rest of the drive was uneventful but arriving at the mountain I was disappointed to see those beautiful peaks covered in mist. A close up painting of one of the peaks no longer looked possible. 

    However, always the opportunist, as you have to be when painting outdoors, I painted this misty mountain scene by walking up a small hill opposite Yufudake mountain. 

    And here is the painting I did on the spot.

    Watercolor painting of a misty mountain top
    “Misty mountain top”

    Although a spectacular scene it’s not the kind I often paint as it’s difficult to paint well. The finished painting had a nice delicacy but the scale was a little wrong, the actual scene was much bigger and much more majestic. 

    I lost the immense scale by painting the figures too big. But if I’d painted them the actual size they would have been tiny. 

    There will definitely be another attempt at painting this scene in the near future.

    Luckily, while painting this picture the mist started to clear so it was now possible to paint one of the peaks from close up. Unlike last time, when I was in a rush, I climbed the mountain at a very leisurely pace and occasionally stopped to do sketches for future paintings.

    About half way up, though, the mist suddenly returned and I seriously thought about quitting. But I didn’t. Perhaps having already climbed half the mountain it seemed better to carry on and to hope that the mist might clear. Also the thought that the mist might provide an interesting scene to paint, convinced me to carry on. 
    I pictured the painting The Wanderer above the Mist by Caspar David Friedrich. In this painting, the mist creates a very atmospheric painting. And this led to a feeling of exciting possibilities and the chance to paint something new.

    I arrived at the base of the peaks surprised to be in such good shape compared to last time. Although it was still misty this actually helped, as I thought it might, to create a beautiful composition. 

    The mist made the top of the peaks dark, vague almost ghostly presences but lower down the features of the peaks became more defined in shape, color and texture. And at the bottom of the peak that I was going to paint was a beautiful spill of rocks which is where an intrepid climber could be placed as a focal point. Soon I was painting and feeling totally in my element.

    Painting of a mist covered mountain peak
    “Mist covered mountain peak”

    The final painting was pleasing but next time it’ll be interesting to make the top of the peak even darker and more ominous. Also the playful spill of rocks at the bottom, which really took my fancy, is also something to have another go at. But what an exciting and captivating subject.

    While painting the mist would suddenly clear only to reappear again and again. 

    Sometimes I looked down the mountain. Mostly I could see a layer of thick white clouds.But sometimes, a gap appeared in the clouds. In this gap a cool blue scene would appear and I could see far below. And I could see a winding silvery line that was a river and around it the small town of Yufuin. It was spectacular. 

    I could also see some weird clouds. They appeared far below me and near the ground and seemed to be rotated 90 degrees and going upwards like columns of smoke. I did a quick sketch to capture this wonderful scene as a reference for a future painting.

    And here is a painting that I later did at home from this sketch. It doesn’t show those amazingly weird clouds. But it does show the gap in the clouds and the view of the silvery river.

    Watercolor painting of an artist painting on top of a mountain
    “Painting above the clouds”

    Last time I climbed this mountain I didn’t go up the peaks. You can read about that story here. This time though I went to the top of one of the peaks. And the panoramic view was awe inspiring. In one direction, I could see an endless range of mountains. In the other direction, I could see the sea. Connected to the sea was a river that was next to my house. Despite these inspiring views it was difficult to find a good scene to paint. 

    After hopping around here and there looking for a good composition I finally found something that might work. I sat on a big flat rock and began to paint. I was facing the setting sun with a view of the jagged edges of the other peak.

    Watercolor painting of a mountain trail
    “Mountain trail”

    Yet rather than enjoying this moment so much I probably should have wondered more about why I hadn’t seen any other climbers for several hours.

    Perhaps I sensed that I shouldn’t stay much longer on the top of the mountain for I didn’t fully finish the painting by adding some figures and even though the painting was still a little moist I covered it up and put it away rather than waiting for it to dry thoroughly even though it might get spoiled.

    It was now beginning to get noticeably late and little by little I was beginning to feel a certain urgency to get off the mountain. 

    So I started my descent down the mountain. I must admit that I descended with some reluctance because the evening scene was becoming more and more beautiful. Part of me wanted to stay and enjoy that moment.

    At first all went well as I descended but it was starting to get darker much quicker than I had anticipated. I was still unaware of how much trouble I was in.

    Foolishly, I even stopped to do a sketch. I was entranced by the view. I could see a blood red sun set and pale blue mountains that were bathed in white clouds. Below me the orange lights of Yufuin town appeared and seemed to shine so warmly. It was truly magical. And after doing my sketch, and feeling bathed in the beauty of this wonderful evening, I was almost gaily sauntering down the mountain. 

    So very soon everything would change.

    Part 2: Descent into Darkness

    Watercolor painting of Mt Yufudake at dusk
    “Descent into darkness 1”

    The first part of descending the mountain was very easy. The route was open with only low shrubbery and just a few stunted trees. The path and the rocks were quite visible. It was getting dark very quickly though and the shapes of the rocks were slowly becoming blurry in the dimming light.

    Despite being stunted, the trees started to increase in number and sometimes there would be a cluster of them by the path and it was suddenly very dark in these areas and I had to walk through them very slowly, one careful step at a time, using my easel like a blind man’s stick.

    As the trees slowly increased in number and the way became much darker the realization that I was in trouble also increased. This particular mountain path was dangerous to navigate as there were many large rocks, sudden drops in the ground and places where it was easy to slip on loose stones. So after a few alarming stumbles, sudden drops and slips I started walking on bent knees close to the ground.

    Watercolor painting of Mt Yufudake at dusk
    “Descent into darkness 2”

    My pace down the mountain was now very slow. However, this was safer than standing and it was clear that the worst scenario would be to have an injury.

    At some point panic started to kick in and my mind became several people; one was clearly panicky, the other was reassuring and telling me to keep going and another was quietly watching it all.

    Walking on bent knees eventually became too arduous and so I started sliding down on my bum. Although frustratingly slow this was the safest and most comfortable way. At first I made steady progress and the stones, which I had hated so much at first because they tripped you up or slowed your progress, were now a life saver telling me I was on the path.

    Then suddenly I found myself stumbling through the trees. It meant that I was off the path. A feeling of panic seized me. 

    Reversing carefully I searched with my fingers for the rocky and hard-packed earth of the footpath. When I found it I stopped. Then slowly and carefully, on hands and knees, I searched for the continuation of the path by moving forward and feeling for rocks and hard-packed earth. 

    Again though I found myself losing the path. After several failed attempts to find the footpath another feeling of intense panic seized me. 

    As hope departed, desperation kicked in and I started searching again. Eventually I found the new direction of the path. The problem was that the path was often switch-backing. 

    As a result of the switch-backing, I would lose the path again and again and sometimes it took me a long time to find where it continued. Those were quite desperate moments. But I kept on going.

    There was a little water left in my PET bottle but I didn’t want to drink it until I had cleared the forest and was at the grassy slope of the mountain. It would be my reward. But the path just seemed to go on forever. And the path was getting darker for I was now entering a forest area where the trees became taller and more numerous.

    And some of the more densely forested areas were pitch black. It was a total descent into darkness. It was terrifying to see absolutely nothing.

    After a long time of slowly moving along on my bum I came at last to a glade that I had passed so much earlier when climbing the mountain and in what now felt like another life. It was almost magical, like Galadriel’s garden but with an abandoned feeling. Even in this glade it was still dark but just visible were vague blurry shapes, such as a bench and a sign. Above was the beautiful sky. I probably should have stayed there but this glade was fairly near the end of the forest. Still, it was a little unnerving to plunge back into the darkness again but plunge I did.

    Watercolor painting of a mountain glade in the starlight
    “Starlit mountain glade”

    Almost immediately I was walking on bent knees low to the ground like a Cossack dancer and then I was on my bum again. Several times I lost the path and had to search on all fours. It was actually easier to sense the path by being low down. 

    The feeling that I would soon be out of the forest pushed me on and on, any moment I thought, perhaps another ten or twenty meters ahead of me, was the end of the forest. And yet nothing changed and time passed and the forest didn’t end, it seemed to be endless.

    The uneasy feeling that I’d taken a wrong turn began to rise. Instead of coming out of the forest I seemed to be going sideways through it. On one side of me, and just visible through the trees, was a very large hill that was next to the mountain and I knew that I should be going parallel to it but I seemed to be going away from it.

    The path was also different. Before it had been easier to sense because there were trees on either side of it. But now the trees were more spaced out and the ground more open. There were also fewer or no stones. Despite being an obstacle, the stones had been a sign that I was on the path. 

    The panicky thought that I was no longer on the path and had strayed off completely rose within me. Luckily, though, I would now and again dimly see a rope or a sign which would reassure me that I was still on the path.

    Then suddenly, the path ended. I tried one way and almost fell down a steep slope. Another way looked like it was going up and I didn’t want to climb any more mountains. And another led into dense undergrowth.

    Watercolor painting of a mountain forest at night
    “Night time walk through a mountain forest”

    It was here that I stopped and drank the last of my water. It was a sign that I’d given up. I lay down and relaxed – or at least tried to. My body really ached and I felt exhausted. I decided to stay here for the night and hoped that a search party might come. Although I also worried that I might have to pay for it if it did come and I was worried about my wife worrying about me. 

    My predicament was not so desperate in reality. I had a good sense of my location and I knew where the road was and could even hear cars passing along it somewhere below me. And it was next to that road that my car was parked.

    As I thought these thoughts a strong temptation to just crash through the forest in that direction seized me but the fearful thought of getting lost in the forest and the increased difficulty for a search party to find me stopped me.

    After lying on the floor and getting a very cold back I emptied my backpack and used it, and my painting pad, as a bed. It was not so cold but my body was shivering and so I got out a bin bag, put a hole in it, and put it over my head like a jumper. I lay down and tried to sleep. But I just turned around a lot trying to get comfortable and failing. Sometimes I’d sit up and try to sleep in that position.

    Alone in the dark, in a forest on the side of a mountain feeling hungry and thirsty is bad enough. But then the imagination kicks in and you start to worry about things such as wild boars that will charge you if they see you. Then there were snakes or those virus carrying blood ticks which had killed 14 people in recent years and for which there is no cure. I even wondered if the lions or tigers at the African Safari park, that was not so far away, ever escaped – such is the wonderful nature of the imagination.

    Watercolor painting portrait of an artist at night
    “Alone at night on the mountain”

    It was a little spooky too. Sometimes lights seemed to come towards me. And sometimes I thought I could hear the sound of an animal’s footfalls coming down the path. Every so often there were other sounds in the forest. They were probably just twigs falling off trees. But these sudden sounds kept me sitting up and looking around.

    At one point, a dog suddenly started barking and I wondered whether it was a sniffer dog, so I shouted “help me” in Japanese. It happened twice and then it ended. Throughout the night there was the whistle-like sound of a bird of prey flying above that I had previously heard on the mountain top. 

    But after several hours I wondered if that sound was a whistle and a search party was looking for me. Sometimes the sides of the mountain were briefly lit up and I wondered if this was a big search light. Rationality disappears quickly when you get rattled. I shouted, even whistled, but nobody came. Eventually, I gave up.

    It was a cloudy night and the biggest real worry was rain. The trees would offer some protection but how much and if I did get wet how cold would it make me. 

    I was also hungry. Lunch had been so spartan, just some bread and two tomatoes. And even though I sometimes felt like vomiting there was nothing to bring up. And I was thirsty. At one point, I even contemplated drinking the water in the bottle that I use for painting. I sometimes wash my brushes in this bottle. I’m glad to say that I didn’t drink this water.

    Despite these worries and discomfort, the forest was actually very peaceful with the soft, almost lulling, sound of insects.

    At some later point in the night, the urge to get out of the forest assailed me. Perhaps the urge came from the almost insufferable feeling of having to wait for the daylight and my discomfort. And perhaps also from the occasional sound of a car or noisy motorbike on the road below. The sounds reminded me just how close that road was.

    Whatever the cause, I stood up, packed my bag, and put on my boots. I was ready to go. But when I looked ahead into the darkness, worrying thoughts once again assailed me. The worries overcame my urge to get off the mountain. Instead, I found a large stone, sat on it, and tried to sleep off the remainder of the night.

    The night seemed forever and the hardest thing was this endless waiting in discomfort without any distractions except for dark thoughts.

    A Magical Moment

    Watercolor painting of a beautiful mountain slope
    “Beautiful mountain slope”

    It took a long, long time. But at some point during that night when I looked up I thought that I could see a little more than before of the things around me. At first I thought that this might be a trick of my imagination. But extremely gradually it became clear that things around me were becoming fractionally more definable. My spirits rose.

    But I waited until I could clearly see the continuation of the path. And at first, I started along it very cautiously as it was still very dark. But as I followed the path it got lighter and the outline of the path clearer and my spirits in parallel rose higher and higher. It was actually a nice path in the light, a scenic walking route through the forest. It would have been impossible though to navigate in the dark. And there were some nasty looking wooden fences with spikes at the top that would have been dangerous to clamber over even in daylight.

    The route was a winding dirt track covered in leaves and was at times a little difficult to navigate even in the growing light. But it was getting easier and easier. After about 15 minutes I was delighted to see the end of the forest. And at that moment, I suddenly saw a man with a torch coming into the forest. I shouted “konnichiwa” which means “hello” in Japanese. The torch flashed in my direction and then was gone. He seemed to be going in another direction. At first, I was confused because I thought this was somebody looking for me, such as a rescue worker. But then I realized that he was just an early morning trekker.

    Watercolor painting of a trekker going up Yufudake mountain
    “Early morning trekker”

    Then I was out of the forest and walking down the long grassy mountain slope. The sun was rising to the left of me and suddenly I saw a baby deer. It was such a beautiful sight to see that deer on the mountain side in the early morning with the sun rising behind it. The scene before my eyes had the feeling of some perfect picture being completed. 

    Then it started to prance away up the hill. When it stopped I was surprised to see it next to a herd of deer all staring in my direction. It was almost as though I had gone from life, into death and back into a magical moment of life again.

    I enjoyed that sight for a while and then I continued down the hill. As I neared my car, I could see three policemen. One of them was walking around my car and looking through the windows. I shouted in order to get their attention and soon the three policemen were approaching me. 

    At that moment I became a little worried as I wondered if I was about to be scolded. Yet, when we met, they were very pleasant. One of them gave me some candy. It wasn’t what I had expected; I was thinking of an ambulance, water or an isotonic drink and so on.

    Watercolor painting of Yufudake mountain
    “Walking down a mountain trail”

    But it was also a relief that I hadn’t caused too much trouble. I apologized and they were very considerate about my well-being, asking if I had any injuries and so on. One of them let me talk to my wife on his cell phone because at that time I had no cell phone. I could hear my wife sobbing on the phone. That was a hard moment.

    It turns out that my wife had fallen asleep about 9 in the evening and only realized my absence about 4 in the morning. About an hour later she called the police. They told her that she had to fill in a form and bring a photo of me before the police would do any search and rescue mission. 

    And yes, I would have had to pay for it and it wasn’t cheap. One of my biggest worries when I was stuck on the mountain besides dying was that I would have had to pay for a rescue mission. The last thing you need when in dire straits is the worry about the cost of being rescued and my fears were justified. “Luckily”, it isn’t so easy to get rescued!

    The police let me drive home. I couldn’t believe that I’d come through this unscathed. Although I had slightly bent one of my easel legs and considerably scuffed one of the corners of my watercolor pad.

    I drove slowly, windows down, enjoying the cool morning air. It started to rain gently. I stopped at a convenience store and bought an isotonic drink called ‘Pocari Sweat’ and some yogurt with fruit in it. 

    My hands were filthy, so I washed them in a tiny sink in the shop. Yet no matter how vigorously I washed them and used soap I couldn’t get all the dirt off them. 

    I got in the car and tore the top off the yogurt. I was so hungry. I eagerly got a spoonful of yogurt with a big piece of fruit in it. Then I put this sweet and creamy concoction in my mouth. To my surprise, I experienced instant, excruciating pain. The top of my mouth was red raw. It almost brought tears to my eyes. So I very carefully took small sips of the drink and then tried just a little yogurt. The second time, it was still painful but a little less so.

    When I got home it was such a joy to see my wife and 2 year old daughter (who was telling mummy that everything was okay and patting her arm). Then I took a hot shower, put on my pyjamas and went to sleep for a short while. Later I took my wife and daughter to an Indonesian restaurant as a way of saying sorry. It was a lovely evening. 

    The following day the sides of my body were really painful.

    I’m a fool, I’ll admit it. I did learn though that in mountain trekking, even when climbing a small mountain like I did, you have to be prepared. So next time, I’ll have a torch, a warm coat, some energy bars, an extra bottle of water and a waterproof coat. 

    Well, at least a torch.

    Gareth.

    Postscript

    I originally wrote this story in October of 2014, I am editing it in May of 2022. This story needed very little editing. 

    I didn’t climb up this mountain again until the autumn of 2022. This time I climbed the other peak. The other peak was a bit scary to climb. 

    And this time I took my drone. On the way down the mountain slope I got some amazing photos. Here is one of the paintings I did from these photos.

    Also, I should add, that this misadventure forced me into getting a cellphone which has been a very mixed blessing.

    Watercolor painting of a beautiful sunset over Mt Yufudake
    “Beautiful sunset over Mt Yufudake”
  • Watercolor paintings of the Cherry blossom in Japan

    Watercolor paintings of the Cherry blossom in Japan

    Watercolor painting of people walking by the Cherry blossom trees at Funai castle
    “Refreshing walk by the Cherry blossom trees”

    It is cherry blossom time and people are gathering under the cherry trees, called Sakura in Japanese, and having picnics.

    And that’s what I did today with my family. It’s all very festive and sociable.

    My father-in-law, who loves Japanese history, was trying to tell me about cherry trees being gifted to America by the Japanese in 1912. They were first planted along the Potomac river and have become a symbol of friendship between Japan and America.

    Although beautiful, cherry blossoms are difficult to paint in watercolor because of their lightness of color and it is necessary to leave white paper in order to achieve this lightness.

    A few years ago when I attempted to paint cherry blossoms I was so disgusted with my results that I just gave up.

    Last year, however, I had another go and was a little more pleased with the results. And so this year I had another go. 

    To be honest, I still feel that I haven’t captured that delicacy and beauty. However, I am happy with these results and look forward to doing more cherry blossom paintings in the near future.

    Sadly, the first painting I did on this day wasn’t very good. So I’m not going to show it.

    However, while I was painting this picture, a tourist from Honolulu stopped to talk to me and tell me about his life and travels. 

    He’d wanted to visit the city next to Oita which is called Beppu. It is famous for its natural hot spas and hot sand baths. But by mistake he’d ended up in a hotel in Oita. 

    It was really enjoyable to speak to a native English speaker as sometimes I go for weeks without talking to such a person except for family on the phone. 

    I am somewhat of a recluse. 

    Well, I can’t waste valuable time socializing that could be used for painting. And also there aren’t so many foreigners around in Oita.

    Below is my final painting of the day. To be honest, I’m not very happy with this one either.

    Watercolor painting of people having picnics under the Cherry blossom trees
    “Picnic under the Cherry blossom”

    While I was painting this final one I got numerous compliments from people, especially old Japanese women

    And two Chinese girls came and talked to me and even took a picture of my painting and a picture of me next to one of them. 

    This used to happen a lot when I first came to Japan but is now quite rare. Perhaps it is because I’m getting wrinkly.

    I left with the sun going down and large groups of people coming with crates of beer and barbecue grills. It looked fun.

    The next day

    Watercolor painting of a statue by Oita castle and behind it Cherry blossom trees
    “Cherry blossom by a Japanese castle”

    The sun shone again today so between housework, job and daughter I found a gap for painting. I’m an artist with clipped wings! 

    So, I cycled down to the castle again to paint the Cherry blossom. And I found the beautiful scene above right next to a bus stop.

    I received quite a few compliments from passersby. The most memorable was by an old Japanese man with a warm smile who said: “I also paint but you are much more excellent than me”.

    If these compliments stroked my ego, my wife soon remedied that at dinner time. About fifteen minutes after she had told me it was April Fool’s day she said that the raisin bread I was happily chewing on was two days old. 

    To be honest, I would have still eaten it even if it was two days old, but her remark did make me pause in mid-chew with a look of concern; and this really delighted my wife, her smile was almost glowing.

    The day after next

    Watercolor painting of people strolling under the Cherry blossom trees
    “Walking beneath the falling Cherry blossom”

    I could have painted the cherry blossom by the castle again today, but I felt the urge to move out of this comfort zone and try another place.

    So I went to a place by the river.

    I instantly regretted this urge when I felt the very cool breeze by the river blowing against me.

    But I had decided so now I was following through come hell or cold breezes. Okay, maybe a tsunami would make me turn around.

    And I found a beautiful scene to paint after all.

    It took me a while, though, to find a good composition. I would say this is the most important element of a painting. You really are doomed if you don’t get the composition right and for this reason I don’t mind spending quite a long time looking around and making rectangular frames with my fingers.

    If you want to learn about composition I recommend the Complete Guide to Watercolor Painting by Edgar A Whitney. This book helped me a lot.

    When I did finally find a good composition I discovered that I had no easel! Is this senility slowly creeping up on me? Is this a portrait of the artist in decay? I chose a very down to earth solution and sat on the grass.

    As I painted, the frail cherry blossom began to fall like snowflakes all over me: on my paper, on my palette and in my water bucket – where it subsequently got stuck on my brush. 

    I had to shake myself down when I got up. This is part of what it means to be a plein air painter; an intimacy with your subject that is a true oneness.

    Painting the cherry blossom, as I said before, is a challenge and the best approach is to throw away carefulness by throwing paint onto the paper. And I literally did this: it is a technique called splattering but it could also be called fun. 

    Splattering is a good technique for a medium that doesn’t respect timidity and reveals it’s best through boldness.

    Amazingly all this splattering and dashes of blue sky worked wonderfully well. It was nerve-wrecking and exciting at the same time, which is normally a good sign, and it felt the same as I was painting the greenery and getting those subtle variations.

    After this dried I added shadows, tree forms and figures.

    I returned home with numb fingers from a cold spring breeze. Although when I rode back home on my bicycle that same breeze was behind me and it was blowing me so strongly that I almost didn’t have to pedal.

    Watercolor painting of people strolling under the Cherry blossom trees
    “Enchanting walk beneath the Cherry blossom”

    I am so delighted with these two paintings.

    Sometimes before I start painting, I have a vision of what I am trying to paint and this happened here.

    And the final image was very close to my vision. 

    What I didn’t express was the falling cherry blossom. I’m not yet ready for that challenge, perhaps next year.

    Obsessed with the Changing Cherry Blossom

    Watercolor painting of people strolling by the Cherry blossoms on a beautiful spring day
    “Stroll by the Cherry blossom on a beautiful spring day”

    Yes, I just can’t stop. It’s really amazing that I’ve lived here for seven years and not realized how beautiful the changing foliage of the cherry blossom tree is. It’s like suddenly seeing a gift on my doorstep that has been there for seven years.

    Perhaps I never really noticed the beauty of the changing Cherry blossom because until last year it was beyond my painting abilities.

    And now that I can paint it I’ve started to really fall in love with the changing foliage as the white Cherry blossom falls away and green leaves begin to appear. It is so beautiful.

    So, I went again to the castle.

    This time I met a group of drunken Japanese women. They were very friendly. And I wished that this was twenty years ago! Because these women now look like my older daughters!

    They were trying to get me to eat some food which was very kind of them. The problem was that I was full and I was trying to paint a picture. It is not easy to paint with a rice ball in one hand. I took a little food just to please them.

    And, then, they tried to convince me how handsome I was and I was trying to convince them that I was an old man. It doesn’t help that they are kneeling at your feet with a paper plate of food and dishing out lots of compliments. 

    And here is the painting I did.

    Watercolor painting of people having a barbecue during the Cherry blossom season
    “Barbecue smoke and Cherry blossoms”

    So in this painting there are three friends having a barbecue together. 

    In reality, this is where the group of drunken women were. 

    They were in the foreground and I thought that having people in the foreground in the painting would make a good composition. 

    Of course, if I kept looking in their direction it might get taken in the wrong way and so instead of staring at them and copying them I replaced them with some figures from my imagination. 

    I thought three men next to a barbecue would look good. I often paint a lot of my figures from my imagination.

    I also draw people all the time in my sketchbook so drawing figures has become quite easy. 

    I really enjoyed adding that barbecue smoke. I think it works really well.

    The second painting was more difficult to do because it was getting quite cold and I was losing sensitivity in my hands.

    Watercolor painting of a father meeting his wife and child at evening time in the shadows of the Cherry blossom trees
    “Family reunion in the long evening shadows of the Cherry blossom trees”

    In this painting, you have a little story of a mother and son seeing father coming back from work. It’s a friendly scene of a family reunion after a busy day.

    What I think both paintings have is a wonderful sense of atmosphere. I can really feel this when I look at them. 

    Sometimes I forget about the atmosphere when I paint because I’m so fixated on making a good looking painting. 

    However, when I look at these paintings I can see that atmosphere is the most essential thing because the viewer can feel something. 

    In other words, the viewer experiences an interaction with the painting.

    But it is not just the Cherry blossom that is catching my eye. Everywhere the foliage is looking beautiful because you can see the refreshing green color of Spring. 

    And the countryside, as you’d expect, is especially beautiful looking in this season.

    In fact, it is driving me a little crazy not being able to get out there and paint it. I have that awful missing out feeling but there are family responsibilities and work.

    I console myself with the thought that I have the cherry blossom trees near the castle and just this has inspired me and developed my abilities so I have to learn gratitude for that.

    That’s all for now,

    Gareth.

    Postscriptum

    This story was originally about 4 or 5 stories. But I joined them together into one. They were written around April of 2014. I edited them in January of 2022.

  • Watercolor painting of a traditional Japanese building

    Watercolor painting of a traditional Japanese building

    Trip to Yufuin

    I have a friend who is a metalwork sculptor.

    He will soon have an exhibition in a small Japanese town called Yufuin.

    And he asked if I would show two of my paintings in his exhibition.

    I eagerly said yes. It would be a great way to promote my work.

    And I thought it would be a good idea to visit this town and do some paintings of this place for the exhibition.

    So Yufuin is a very popular tourist town in Japan.

    And the main feature of this area is the twin peaked mountain next to the town. 

    It used to be a beautiful, even idyllic, place. But then the tourist industry came and started building. 

    But it still has a few nice features left such as the building in the painting above.

    I drove to Yufuin.

    It took about one hour. 

    It was a very pleasant drive through some beautiful Japanese countryside.

    However, driving through Yufuin town wasn’t so pleasant. 

    In fact, it was very stressful. 

    I took a wrong turn and had to navigate through a maze of very narrow streets that were crowded with tourists. 

    I drove very slowly down the narrow streets. But still the car was almost brushing up against people. And these people were giving me very pissed off looks. 

    I know how they feel because I’ve had the same experience.

    First painting

    It was hard to drive slowly though because I was desperate for the toilet.

    And my first painting was done about ten meters from a toilet. 

    This is the painting above.

    I’ve painted this building before but I couldn’t resist painting it again. 

    And I’m sure this won’t be the last time I do a painting of this building.

    I love the design of traditional Japanese buildings. 

    And thatched roofs are a particularly beautiful feature.

    After painting this building, I soon found another subject to paint.

    I’ve learnt not to waste time looking for painting subjects but to quickly find something, even if it isn’t ideal. 

    After I’ve done one or two paintings then I can relax, look around more and explore.

    Second painting

    So my second painting was done only about a hundred meters from the first one. 

    It was a painting of a lake called Kinrinko. The name means “golden fish scales”.

    And it’s a beautiful scene in spite of some modern changes such as a big white concrete restaurant on the very edge of the lake.

    I had to walk around a little to avoid such eye sores and also to find a spot where there were few people and thus no fear of being accidentally pushed into the lake by over-enthusiastic tourists, And despite it being a weekday, there were many tourists.

    A near entanglement

    Having found just such a spot I set up and was about to make my first pencil mark when a fisherman, or should I say an angler, appeared out of the blue and stepped in front of me.

    He threw his line behind him, in other words right at me, and started to fish. After a few minutes he would move over to the left of me and then return.

    Perhaps I should have moved but I thought I was here first and so I just continued to paint. 

    If I had moved It would have taken away the anxiety about having an eyeball plucked out by a fishing hook. 

    An artist with an eye-patch certainly would be memorable. In fact, there’s just such an artist and he has been incredibly successful. However, I’d still prefer to have both eyes.

    Luckily, I finished the painting with both eyeballs intact. 

    The angler unfortunately had a mishap. 

    He cast his line when he was to the side of me and I heard a sharp crack.

    I don’t know if he snapped a branch or his fishing rod but I realised, somewhat later, why he was casting his line in front of me. 

    He wasn’t a territorial angler, antagonistic person or sociopath, he was trying to cast his line without getting it caught on any trees.

    I just happened to be in the place with the fewest trees.

    However, I just kept looking at my painting and the scene in front of me just in case he had broken his fishing rod and wanted to let out some of his frustration on me.

    However, nothing happened except a few tourists coming and standing in front of me to take photos. They didn’t even ask. But then again it’s not my land.

    I did though really enjoy painting this scene in spite of these distractions. 

    Sadly, I was very disappointed with my painting so I’m not going to show it here.

    With two paintings under my belt I felt that I could now relax a little and do some exploring. 

    Also, I wanted to visit a gallery that my friend had recommended.

    There was the possibility that I could show my work in this gallery.

    So, I returned to the car and got my portfolio and went looking. 

    After a 10 to 15 minute walk I found it and it was closed. 

    This was surprising because it was Monday and the gallery leaflet said it was closed on Wednesdays.

    Walkabout

    I left this place in a very despondent mood.

    And I then went on a long walkabout that lasted over two hours.

    During my walkabout I was constantly looking for something to paint but I couldn’t find a beautiful scene. 

    The new houses are bland boxes with none of the beauty of traditional architecture. Many of the fields have been replaced with greenhouses, which are not particularly beautiful. And there was a huge and brand new car park without even one car in it and that too – as you can imagine – was not beautiful.  

    At least, they don’t have fields full of solar panels. But I expect that is coming. 

    Recently, they wanted to cover an outstandingly beautiful green mountain side in Oita prefecture with solar panels. That is to say, cover it all with concrete and then put as many black solar panels on it as possible. 

    It was only protests by the ordinary people that stopped this.

    During my walkabout I got lost in my despondency about the ugliness of the modern world. And I also got literally lost. The latter I quite enjoyed. 

    Time though was passing. The sun was beginning its slow downward journey that became moment by moment more and more beautiful. I didn’t know it yet, but the day would end in a spectacular sunset. 

    Third painting

    Luckily, after having walked across a few rice fields, jumped over a concrete ditch and wandered down a long lane that came to a dead end I found the river. 

    I knew the river would take me back to where I had started and so I followed it. And it was along this river that I did my final painting of the day.

    It wasn’t a perfect scene. I took the liberty, for instance, of removing a big hotel that was by the side of the river. I hope you don’t mind!

    This river was quite dazzling in the evening light and I was entranced by the beauty of that shimmering light. 

    I walked up and down this river quite a few times before I found the right spot. 

    In painting, composition is the most essential thing and that means finding the best viewpoint.

    It was a delight to paint this scene. There was a wonderful mellow evening mood and it felt very peaceful to paint in such conditions. 

    Here is the painting that I did on the spot.

    Watercolor painting of people walking by a grassy river bank
    “People walking by a grassy river bank”

    Although I am happy with the result, it needs improving and I will paint it again at home. 

    In the second version, I will lower the height of the near riverbank. And I will attempt to make the water appear more dazzling.

    I will also add some ducks.

    This is because there was a flock of ducks in the water and they looked beautiful.

    It was also so cheering to my heart to hear these lovely creatures quacking merrily.

    Of course, it may be just my imagination that they were quacking merrily. 

    They could have been asking who this weirdo is in the floppy hat and the huge sunglasses.

    Certainly some passersby had slightly stunned expressions on  their faces when they saw me.

    At some point while I was painting, I realized that it was beginning to get dark.

    And I suddenly had the panicky thought that they might soon close the car park.

    If they did, then I would be stuck here.

    So I finished the painting off in a hurry. 

    Then I rushed back to the carpark.

    Luckily, despite the late hour, it was still open.

    A spectacular sunset

    In a relieved mood, I got in the car and started to drive away.

    I also had a deep feeling of satisfaction as I had done some good paintings.

    Yufuin is in a valley. And so, as I drove out of Yufuin, I was driving up a hill.

    And it was while I was slowly driving up this hill, in a very blissful state, that I saw the beautiful evening sunlight streaming through the trees. 

    It was magical. 

    And I felt compelled to stop and take a few photos. 

    If I was more of a free man and less of a family man I would have stayed and painted a picture.

    At home, I finally painted this wonderful scene. 

    It was quite a challenge and I had to experiment a lot before getting a pleasing result.

    Watercolor painting of evening sunlight shining through the trees
    “Evening sunlight shining through the trees”

    Soon, I will be going back to Yufuin to paint some more pictures for the exhibition. 

    Perhaps I shouldn’t as I will only show two paintings at the exhibition in this town and I already have enough paintings. 

    However, I have this bad habit of overdoing things. 

    That’s all for now,

    Gareth.

    Postscript

    This story was originally written in March of 2014. I’m editing it in March of 2021. So 7 years later. How time flies.

    There are some things I’d like to add here. 

    Firstly, I wasn’t proud of my second painting, which is of lake Kinrinko so I threw it away. And even though I still have an image of the painting, I didn’t want to show it. 

    And I did some new versions of the river painting, as I said I would. However, none of them were an improvement on the original one that I did on the spot!

    And this is why I believe outdoor painting is a must. 

    The wonderful atmosphere you can sometimes get when painting outdoors will add a special magic to your work that you just can’t achieve at home.

    I also did manage to get inside the gallery and meet the owner. We became good friends. And I now exhibit my work at her gallery. The gallery is called Dorudonyu Museum.
    Here is a link to the gallery.

    And here are some paintings I did of the train station in Yufuin. It was designed by a famous Japanese architect. I think his name is Arata Isozaki.

    Watercolor painting of a small Japanese train station
    “Small picturesque Japanese train station”
    Watercolor painting of a figure walking along the platform of a small Japanese train station
    “Small Japanese train station”
  • What is the minimum outdoor watercolor painting kit?

    15 essentials of your outdoor watercolor kit

    1 Brushes

    I mostly use only 3 brushes. The Hake, the bamboo and the liner. But I also use a round brush and a mop. That’s 5 brushes in all and I think 5 will be nearly all you ever need.

    2 Paints

    I use a minimum of paints. I categorize them as browns, blues and brights (or colorfuls) and then white. Below is a list of the paints I personally use.

    Imidazolone lemon
    Yellow ochre
    Phthalo blue
    Cerulean blue
    Pyrolle red
    Alizarin Crimson
    Titanium white

    Note: These colors are all permanent and none them contain toxic substances.

    3 Palette

    I recommend a plastic one with a cover. It doesn’t need lots of spaces for paint but it needs several deep wells. The reason I like a palette with a lid is that I don’t have to clean it after I finish painting. I can put some damp tissue in there that keeps the paint moist so that I can use it again. 

    Below is my palette.

    From left to right I arrange my colors with browns first, then bright colors (yellow, orange and red) and then cool colors (blues and greens). I have more colors here than I recommend above but you will be fine with the small number I listed above – in fact I can do a good painting with just 4 colors!

    4 Paper

    I recommend a spiral bound watercolor pad. I will give my reasons in a future blog post.

    I would recommend a small F4 size pad (24 x 34 cm approx = 9.4” x 13”) Note: it doesn’t have to be exactly this size but just the nearest choice.

    I don’t use a big pad when I’m painting outdoors because it’s tiring to carry around and conspicuous. A small pad should easily be able to fit it into a backpack with all your other materials.

    Also, if your pad is too big and the wind gets underneath it then your pad can fly away or whack you in the face. It’s happened to me and it really hurt – it was also pretty embarrassing. 

    5 Water bucket

    For outdoor painting I like a soft bucket that can be flattened and so takes up little space but also has a hand to which I attach some string with a big loop on it which goes around my easel.

    This is useful because it is easy to reach and also holds my easel down when the wind blows.

    6 Two small clips

    They are for holding down the watercolor paper whilst painting – if that is you are using a spiral bound pad.

    7 Rag

    Just a piece of cloth to wipe your brushes on. This is essential though.

    8 Tissue

    They are so useful. Don’t skimp on them. Don’t have them in a big lump as they are difficult to use. Instead, separate each tissue into an individual ball and then put in your pocket. Then you can easily take out one at a time.

    9 Spray bottle

    A spray bottle is essential for stopping the paint on your paper drying out too quickly and thus becoming unworkable. It can also be used to create texture.

    10 Clutch pencil and pen

    I use a technical pencil with a thick lead that doesn’t break easily. Having such a pencil saves me a lot of time as I never have to sharpen it and it always has a sharp point so it is always going to give me a nice mark. I only use a technical pencil though when I am doing finished painting. 

    When I do sketches I use a pen because it doesn’t smudge and I even use a pen with some of my finished paintings.

    11 Backpack

    The best way to carry your materials is in a backpack. I use a fairly big backpack that is meant for camping. It has lots of pockets on the outside that can hold bottles, torches and so on – it’s super useful.

    12 Plastic zip up bag

    I like to put all my tools into a bag. It also makes setting things up easier and quicker.

    13 Brush container

    I couldn’t find anything like what I use at Dickblick online art store. 

    So just use a plastic bag – it will be fine. Just don’t leave your brushes in the bag after painting as they need exposure to air so they can dry out. 

    If your brushes stay wet too long they might get moldy depending on the climate. I had one student whose Hake brush actually turned green with mold – this is in Japan where it gets very humid.

    14 Water container

    A PET bottle is fine. I think about a liter is enough because water is quite heavy. I roughly use about a third of a liter for each painting I do. But I’ll use more water if there is plenty around e.g. a nearby river.

    15 Easel

    Easels are a little expensive and will make you stick out so perhaps hold off on buying one. Remember you can also use them in the studio so they are useful. I now have 3 so watch out you don’t develop an addiction for buying them. 

    You can use a mat or a low camping chair instead – just think about how you will use your materials and that you can reach them.

    Extras

    1 Kneaded eraser

    If you want to get an eraser then I recommend a kneaded eraser as it doesn’t damage the surface of the paper.

    2 Extra small pad

    I would also recommend a small sketchbook for quick sketches. I use a multimedia pad which is super cheap compared to watercolor pads and I have even produced beautiful, finished watercolor paintings on such paper that I would have no hesitation about selling. It’s super useful to have such a pad. 

    3 Clothing

    Wide-brimmed hat if sunny and possibly sunglasses.

    Warm jacket if it’s cold.

    Waterproof jacket.

    4 Cellphone

    Essential for taking photos of subjects you painted or don’t have enough time to paint when you are outside but which you can paint at home.

    5 Tell somebody where you’re going

    Okay maybe I’m overdoing it here. But if you are going into rural or remote places where there are few people then I would definitely suggest this. I’m sure you’ve seen that movie where the guy gets his hand stuck in a crack and has to cut it off. I know you think it can’t happen to you but just imagine how dumb you’ll feel if something bad does happen. I actually got stuck on a mountain all night. It wasn’t fun!

    That’s all, Gareth.