Tag: evening scene

  • Epic painting trip to the island of Shikoku – chapter 1

    Epic painting trip to the island of Shikoku – chapter 1

    Video

    https://youtu.be/wkPiP3K-PXk

    The story

    In August of 2022, when it was super hot and super humid in Japan, I left the island of Kyushu and travelled to the island of Shikoku.

    They are next to one another.

    This was my summer holiday painting trip and I was very excited.

    I was staying on the island of Shikoku for several days and I would be traveling around the prefecture of Ehime.

    The big highlight of the trip though would be the lighthouse that is situated at the end of a long narrow peninsula.

    It is the narrowest peninsula in Japan.

    The beginning of my trip was as exciting as I could have hoped.

    The ferry ride over was amazing.

    It was windy and as I arrived in Shikoku I got a very dramatic view of the lighthouse itself.

    Then the drive along the peninsula was an adventure all in itself.

    Although the lighthouse was not quite as amazing as I hoped, I was able to get some great shots of it.

    I also used my drone. And later at home, with a lot of creativity, I produced some paintings of the lighthouse that I am really happy with.

    In this first chapter you see my trip to the lighthouse as well as my painting of the lighthouse.

    At the end of the video, I show several paintings that I have done of this lighthouse.

    The originals are available to buy. Just contact me on discord.

    My username is: garethartist

    All the best, Gareth.

  • Watercolor painting of a Japanese flyover

    Watercolor painting of a Japanese flyover

    The video

    Prints available to buy

    b19f33ec-bebb-423e-bb6d-c24b89e74e29

    Japanese flyover at evening time

    Price range: $20.14 through $33.24

    High quality print that is perfect for custom framing.

  • Peaceful painting of two people walking along a countryside path at evening time

    Peaceful painting of two people walking along a countryside path at evening time

    This painting began with another painting that I did around 2013.

    I loved the mood of the painting.

    It was a late evening scene with a countryside path and figures walking along the path that looked a little like ghosts.

    So I decided to have another go.

    I wanted to do an improved version.

    However, rather than improving upon it, I ended up creating a new kind of mood – which is how it normally goes with these “improved” versions.

    At least that is my opinion.

    But I’m happy with this new painting and I’m glad I had the courage to try and improve upon the original painting.

    That’s all for now,

    Gareth.

  • Painting of a beautiful Japanese beach at evening time

    Painting of a beautiful Japanese beach at evening time

    Recently we went on a family trip to Matama. 

    This is a coastal area famous for its sandbanks that look so beautiful when the sun sets. 

    And, luckily, we had arrived on a very sunny day.

    The tide was slowly coming in and creating a dramatic pattern of meandering streams through the sand.

    A lot of people were on the beach digging. 

    Out of curiosity I asked what they were looking for and was told mategai. 

    I later found out that this is a long, white tubular thing that doesn’t look appetising at all. 

    In English it is called “Gould’s Razor Shell”, which doesn’t make it much clearer for me.

    You catch a mategai by digging a small hole and then sprinkling salt in it. 

    The mategai then rises and you pluck it out and put it in a bucket of water. 

    Or at least I guess so because I didn’t watch that closely.

    During my “research” on the net, I found one foreigner who described mategai as a fairly edible bivalve mollusc. 

    Mmm, “fairly edible”, could you imagine that description on a restaurant menu. 

    It would be like ordering a “fairly edible soup”.

    But the people on the beach looked pretty excited.

    And in case you didn’t know, the Japanese eat some strange things.

    To give a few succulent examples: fresh and warm turtle blood with red wine – they have that at a place called Ajimu in my own prefecture; raw horse meat – they have that in the prefecture next to mine, Kumamoto, which is famous for this speciality – and then in Tokyo I think they eat locusts – or try to, it seems they sometimes run out because of the high demand.

    Such strange things are what make Japan such a wonderful place. 

    It reminds me of my favorite novelist Jack Vance and his wonderfully exotic and fantastic worlds. 

    I wonder if he was inspired by Japan. 

    I’m over using the word wonder but it’s the right word to use.

    Anyway, to return from wondering to wandering.

    I did a lot of wandering across the beach to find pleasing images to paint and I have now done quite a few paintings from this one trip. 

    It has become a “series” which almost sounds like the word “serious” and that’s what a series really is, when you get very serious about a subject and paint a lot of pictures of it.

    The painting above is one of my favorites. 

    As you can see, I didn’t hold back with the colors.

    And my sunglasses might have influenced the painting somewhat. 

    They are tinted and they give everything a warm glow. 

    I actually like this effect and don’t mind it getting passed into the final image.

    There was a small restaurant by the beach and after the sun set we ordered toriten which is basically fried chicken. 

    I don’t think they offered mategai but I didn’t bother to ask either. 

    In many ways, I’m not so adventurous.

    We ate our fried chicken whilst enjoying the view of the sun setting over the sea. 

    It was a moment of calm, content beauty.

    I hope you all have such moments.

    And that’s all for now, 

    Mata ne,

    Gareth.

    Postscript

    I originally wrote this story in May of 2016, 

    I’m editing it in August of 2021.

    And I also re edited it in March of 2024.

  • I got a commission to paint a Japanese torii gate

    I got a commission to paint a Japanese torii gate

    In 2020, I did an exhibition at the main department store in my local city of Oita.

    It went well and I sold about 12 to 13 paintings.

    Nearly all of these were sales of paintings on display.

    However, I did get 2 commissions.

    And one of them is of this Japanese torii gate in Kitsuki.

    The client goes surfing at this place and so it has sentimental value for him.

    And the client always orders a painting for his wife for their wedding anniversary.

    I’ve been to Kitsuki many times but I’ve never seen this place before.

    And I’m delighted to see it because it’s a beautiful subject matter.

    I’ve heard though that the torii got damaged this year in a strong typhoon.

    However, there is now a campaign to restore it.

    Hopefully, in 2021 I will go to this place and paint the actual scene.

    That’s all for now,

    Gareth.

  • A delicately layered watercolor painting of an evening sky

    A delicately layered watercolor painting of an evening sky

    This is one of my oldest paintings that I still have in my possession.

    I’m not sure of the exact year that I painted it but I think that it must have been between 2005 and 2010.

    I have thrown away nearly all of my old work from that period but this one I kept.

    No doubt this is because I find it somewhat beautiful. 

    And I think the beauty comes from the use of layering one color over another.

    The thin glazes of color creates a beautiful transparency and in my opinion conveys a feeling of pureness and vibrancy.

    That alone wouldn’t make it such a beautiful painting.

    If it was only that then it might be a rather weak watery watercolor.

    That delicacy of layered colors is made beautiful and emphasized by the contrasting bold blue clouds.

    And I think this painting shows that a good watercolor painting has a combination of delicacy and boldness.

    Ironically, I rarely use that layering technique nowadays.

    I confess that I tend to be a bit of a heavy handed watercolor artist and paint rather thickly.

    I sometimes wonder if I should have painted in acrylics rather than watercolor.

    But to return to this painting.

    When I look at this painting, it is like receiving a message from the past that is urging me to do some paintings with this layering technique – and also to add some of my normal boldness with it. 

    So far, I haven’t but one day maybe I will.

    My only regret when I look at this painting is my signature.

    Why did I put it so high up! 

    It really spoils the painting. 

    I was almost tempted to remove it.

    In the end, I decided not to as I thought the risk of spoiling the painting was too great,

    So it remains.

    That’s all for now,

    Gareth.