Tag: outdoor painting advice

  • Where I find some of my best paintings

    Where I find some of my best paintings

    I used to think that I had to travel quite far to find beautiful places to paint.

    However, after 16 years of painting, I have found that some of my best paintings have been done within a short distance of my house.

    One of my favorite paintings this year is of Oita castle. Well, maybe I should say Oita Castle wall because there is no actual castle. Anyway, this castle wall is only a 10 minute bicycle ride from my house.

    And the scene above is a temple gate about 300 meters from my house. 

    My wife and I pass this temple gate every morning when we take our daughter to nursery school.

    And on one particular morning it looked so beautiful that as soon as I got home I grabbed my watercolor gear and shot out to paint it.

    I love the trees. When I look at them, I imagine ballet dancers stretching out their limbs. 

    I also love the wonderful autumn colors that are still present despite it being December.

    But perhaps the thing that I love most are those powerful and dramatic shadows across the surface of the road.

    Truth be told, when I painted this scene I was feeling quite a lot of mental pain. Bad memories and thoughts, that kind of thing.

    Ironically this mental pain helped me paint well because it induced a certain indifference to the results of the painting. Watercolor responds very well to someone who paints in that state.

    It is when you care that it all goes wrong because the tendency to play safe creeps in and so your brushstrokes lack that boldness and expressiveness that are essential in a good watercolor painting.

    Basically, it loses the ‘swagger’ factor.

    I must admit, though, I was myself quite pleasantly surprised with how well it turned out. With watercolor it really is a very unpredictable hit and miss process.

    And that quality of swagger is so difficult to achieve because it’s so difficult to be indifferent by intention.

    However, you may be saying that this scene of traditional Japan is very beautiful and that there are no such subjects around your neighborhood.

    So I wanted to show you another scene that is far more ordinary. It is the elevated railway line next to my daughter’s nursery school. This is not a subject that is normally considered beautiful. But in the right light such a subject can be very beautiful.

    Watercolor painting of an elevated railway line in Japan
    “Elevated railway line in Japan”

    And here is one more scene that is even more ordinary.

    Watercolor painting of an ordinary Japanese street with an alleyway
    “Japanese alleyway”

    In this painting, the beautiful lighting and the interesting shapes and angles make this a good painting.

    So here are some pointers for finding beautiful scenes to paint in your neighborhood.

    Firstly, and most obviously, look for a beautiful subject. It could be a church, a tree or even a wall.

    Secondly, look for interesting shapes such as the metal framework you see on an elevated railway line or a utility pole with lots of wires.

    Thirdly, look for interesting angles. In the painting above there are lots of interesting angles that make this picture interesting. You can also exaggerate the perspective which gives interesting angles.

    Fourthly, lighting. Paint a subject on a sunny day when you have dramatic shadows. Also, it’s good to paint a subject in the morning or evening time as the shadows are even more dramatic then. Rainy scenes can also be good.

    So I hope this inspires you and helps you to find some beautiful scenes to paint around your own neighborhood.

    Gareth.

    Postscript

    I originally wrote this story in December of 2014, I am editing it in June of 2022. I’m still very happy with this painting of the temple gate and I can no longer remember the unhappy feelings I had while painting it.

    And, I thought I’d mention that we go to this temple in the dark early hours of New Year’s day to ring the big bell they have there. Afterwards, the monks give you amazake which is a traditional, sweet, low or non-alcohol drink made from fermented rice. It’s like a rice porridge or gruel that is sweet and watery. This temple makes the best amazake I’ve tasted; you get different kinds, some a little more watery and some like theirs almost creamy. It’s just the thing you need when you’re outside and it’s very cold.

  • What is the minimum outdoor watercolor painting kit?

    15 essentials of your outdoor watercolor kit

    1 Brushes

    I mostly use only 3 brushes. The Hake, the bamboo and the liner. But I also use a round brush and a mop. That’s 5 brushes in all and I think 5 will be nearly all you ever need.

    2 Paints

    I use a minimum of paints. I categorize them as browns, blues and brights (or colorfuls) and then white. Below is a list of the paints I personally use.

    Imidazolone lemon
    Yellow ochre
    Phthalo blue
    Cerulean blue
    Pyrolle red
    Alizarin Crimson
    Titanium white

    Note: These colors are all permanent and none them contain toxic substances.

    3 Palette

    I recommend a plastic one with a cover. It doesn’t need lots of spaces for paint but it needs several deep wells. The reason I like a palette with a lid is that I don’t have to clean it after I finish painting. I can put some damp tissue in there that keeps the paint moist so that I can use it again. 

    Below is my palette.

    From left to right I arrange my colors with browns first, then bright colors (yellow, orange and red) and then cool colors (blues and greens). I have more colors here than I recommend above but you will be fine with the small number I listed above – in fact I can do a good painting with just 4 colors!

    4 Paper

    I recommend a spiral bound watercolor pad. I will give my reasons in a future blog post.

    I would recommend a small F4 size pad (24 x 34 cm approx = 9.4” x 13”) Note: it doesn’t have to be exactly this size but just the nearest choice.

    I don’t use a big pad when I’m painting outdoors because it’s tiring to carry around and conspicuous. A small pad should easily be able to fit it into a backpack with all your other materials.

    Also, if your pad is too big and the wind gets underneath it then your pad can fly away or whack you in the face. It’s happened to me and it really hurt – it was also pretty embarrassing. 

    5 Water bucket

    For outdoor painting I like a soft bucket that can be flattened and so takes up little space but also has a hand to which I attach some string with a big loop on it which goes around my easel.

    This is useful because it is easy to reach and also holds my easel down when the wind blows.

    6 Two small clips

    They are for holding down the watercolor paper whilst painting – if that is you are using a spiral bound pad.

    7 Rag

    Just a piece of cloth to wipe your brushes on. This is essential though.

    8 Tissue

    They are so useful. Don’t skimp on them. Don’t have them in a big lump as they are difficult to use. Instead, separate each tissue into an individual ball and then put in your pocket. Then you can easily take out one at a time.

    9 Spray bottle

    A spray bottle is essential for stopping the paint on your paper drying out too quickly and thus becoming unworkable. It can also be used to create texture.

    10 Clutch pencil and pen

    I use a technical pencil with a thick lead that doesn’t break easily. Having such a pencil saves me a lot of time as I never have to sharpen it and it always has a sharp point so it is always going to give me a nice mark. I only use a technical pencil though when I am doing finished painting. 

    When I do sketches I use a pen because it doesn’t smudge and I even use a pen with some of my finished paintings.

    11 Backpack

    The best way to carry your materials is in a backpack. I use a fairly big backpack that is meant for camping. It has lots of pockets on the outside that can hold bottles, torches and so on – it’s super useful.

    12 Plastic zip up bag

    I like to put all my tools into a bag. It also makes setting things up easier and quicker.

    13 Brush container

    I couldn’t find anything like what I use at Dickblick online art store. 

    So just use a plastic bag – it will be fine. Just don’t leave your brushes in the bag after painting as they need exposure to air so they can dry out. 

    If your brushes stay wet too long they might get moldy depending on the climate. I had one student whose Hake brush actually turned green with mold – this is in Japan where it gets very humid.

    14 Water container

    A PET bottle is fine. I think about a liter is enough because water is quite heavy. I roughly use about a third of a liter for each painting I do. But I’ll use more water if there is plenty around e.g. a nearby river.

    15 Easel

    Easels are a little expensive and will make you stick out so perhaps hold off on buying one. Remember you can also use them in the studio so they are useful. I now have 3 so watch out you don’t develop an addiction for buying them. 

    You can use a mat or a low camping chair instead – just think about how you will use your materials and that you can reach them.

    Extras

    1 Kneaded eraser

    If you want to get an eraser then I recommend a kneaded eraser as it doesn’t damage the surface of the paper.

    2 Extra small pad

    I would also recommend a small sketchbook for quick sketches. I use a multimedia pad which is super cheap compared to watercolor pads and I have even produced beautiful, finished watercolor paintings on such paper that I would have no hesitation about selling. It’s super useful to have such a pad. 

    3 Clothing

    Wide-brimmed hat if sunny and possibly sunglasses.

    Warm jacket if it’s cold.

    Waterproof jacket.

    4 Cellphone

    Essential for taking photos of subjects you painted or don’t have enough time to paint when you are outside but which you can paint at home.

    5 Tell somebody where you’re going

    Okay maybe I’m overdoing it here. But if you are going into rural or remote places where there are few people then I would definitely suggest this. I’m sure you’ve seen that movie where the guy gets his hand stuck in a crack and has to cut it off. I know you think it can’t happen to you but just imagine how dumb you’ll feel if something bad does happen. I actually got stuck on a mountain all night. It wasn’t fun!

    That’s all, Gareth.