Gareth Naylor

Atmospheric paintings of Japan

Tag: 2013

  • Why I don’t paint flowers

    Why I don’t paint flowers

    Nowadays, I don’t paint flowers

    I have nothing against them.

    In fact I like them.

    A real lot.

    The colors. The delicacy. The shapes

    And the fragrance.

    Furthermore, I like to buy them as a gift.

    But I don’t paint flowers.

    Because they don’t move me.

    A landscape moves me.

    The atmosphere. The sense of a place. The expanse. The drama

    But flowers?

    Long ago I used to paint flowers.

    I remember struggling and struggling to paint them well.

    It was so challenging.

    But slowly I made progress at painting them well.

    And I think the paintings of flowers here are pretty beautiful.

    But! 

    I’d sooner paint a landscape.

    Simple watercolor painting of a bunch of yellow roses in a glass bowl
    “Bunch of yellow roses in a glass bowl”

    That’s all,

    Gareth.

  • Watercolor paintings of a Japanese river

    Watercolor paintings of a Japanese river

    This is a painting of Oita river.

    This river is on my doorstep. 

    And I love this river.

    It’s a small haven of space, greenery and fresh air surrounded by a city that is cramped, gray and full of cars and noisy motorbikes belching out gasoline.

    I have to admit this river is not all beautiful. 

    The Japanese are excessive in their use of concrete and even by the river there is concrete everywhere.

    At the same time, I have to confess the concrete path is extremely convenient and it would be very unpleasant to have to walk through one or even two meter high plants.

    And, nature, as much as I love it and would love to say it is wonderful, is not simply wonderful. 

    Nature in Japan is like a wildfire and along some wilder stretches of the river you can see an extremely dense mass of trees, bamboo and bushes covered in a net of ivy. It’s not pretty. 

    But the river is still a haven compared to the surrounding city and I have spent many hours outside painting this river.

    I think these paintings were done in 2013. 

    At that time I was still struggling with the medium of watercolor and although I enjoyed painting outdoors by the river I also experienced a lot of frustration and produced a lot of bad paintings.

    The paintings here are the few survivors from the many paintings I have done of this river. 

    The picture above is my favorite one of this small surviving collection. 

    What I like most about this painting is the strong mood of beauty and peacefulness.

    Some of the other things I like are:

    The viewpoint. This is one of my favorite viewpoints of the river and I have done many paintings of the river from this spot.

    And I like to paint figures walking by the edge of the river with the water sparkling behind them.

    Next, I like the sky in the painting which is very luminous and has a very soft and gradual diffusion of a yellow sun into a blue sky with a cluster of beautifully shaped, warm gray clouds around the sun. This pattern of the clouds makes for a lovely composition.

    And I like the reddish mountain (which is actually very unnatural but works in this painting) with the receding mountains becoming noticeably bluer and cooler.

    The distant buildings and foliage work fairly well as you can distinguish the different objects but at the same time it is subtly done.

    And the river has a beautiful glow and sparkle.

    The foreground is very nice. The green is just the right color, the distant tree is well painted and the figure slightly disappearing into the grass gives a lovely feeling of softness.

    For me, this painting is magical.

    I won’t, though, say anything about that signature except that I’m happy it’s fairly small.

    Watercolor painting of two fishermen walking by Oita river early in the morning
    “Early morning fishermen walking by the river”

    What I like most about this next painting is the vast expanse of sky.

    This painting has a very similar viewpoint as the previous one. 

    But I think you’ll agree that it has a very different mood.

    This is an early morning scene and I like the early morning long shadows of the figures in this painting.

    I also like the reflective surface of the river and the sparkle.

    And I like the brown grass and gravel path in the foreground which has been subtly but beautifully depicted.

    The background is okay. The buildings are not particularly beautiful but their irregular shapes of the buildings along with the reflective roofs creates an interesting skyline.

    I think the figures of the two fishermen on the left hand side of the painting are fairly well done and also the figure of a woman with a dog in the distance. 

    But the other two figures are not so good. 

    I think those two figures are the weakest part of this painting. 

    At some point, I’d like to paint this picture again and try to improve those two figures.

    Watercolor painting of two fishermen returning home after fishing by the river
    “Fishermen returning home”

    This painting shows a small island in the river.

    I think this island creates a very interesting scene.

    This scene has since changed though as they have built a bridge across this river at about this point. 

    This bridge has spoiled the view and I no longer paint this island.

    What I like most about this painting is the luminosity. 

    This painting almost glows with light.

    I also like the bright colors.

    Next, the distant background is a beautiful gray color that has subtle touches of a green color within it and some interesting little gaps.

    It looks very realistic.

    The trees are lovely shapes and have beautiful shadowy areas.

     And they have a beautiful bright green color.

    And the grass is well done, especially that brown grass on the island. I’m delighted with that.

    The green grass in the foreground looks good. I love the touches of brown and the tufts of grass. 

    Also the subtle blue color of the river and the rich, dark gray-green reflections are very good.

    The figures of the two fishermen are passable. I don’t like how similar they look to one another. For instance, both seem to have the same hat but in a different color. 

    If I painted this picture again then I would make these two figures much more different from one another. Or I would just have one figure.

    But overall, I like this brightly colored painting. There is a feeling of it being a lovely day and there is an aliveness and cheerfulness in this scene.

    Watercolor painting of a fishing boat on Oita river at evening time
    “Peaceful evening by Oita river”

    What I like most about this painting is the very subtle color changes.

    So sometimes I paint from the other side of the river and this painting is from the other side of the river bank. 

    This side of the river gives an interesting view of Oita city center and the mountains behind the city. 

    I like the way I have painted the distant skyline in this picture. The distant mountains are soft and seem to melt into the sky.

    And the city is beautiful. The color of the buildings is nicely subdued and yet there are a few subtle color variations which make it interesting to look at.

    Then there is the lovely blue sparkle upon the river.

    And the foreground grass and trees are well done.

    And I like the figures and the boat, especially the shapes of these objects. I think they might be even better with a little more color added to them. But I’m not completely sure about that.

    I don’t often paint this outlet. This is because it is artificial and the sides are very straight so I don’t think it is a particularly nice subject to look at. 

    But in this picture, I tried to hide the straightness of it with the rough grass and trees and the reflections and I think it turned out quite nice.

    Overall, I think this painting has a lovely feeling to it. For me, it beautifully captures a quiet, evening moment by the river.

    Watercolor painting of father and son walking by Oita river as the sun is rising and with chimney smoke rising up from the distant steel factory
    “Factory smoke and morning sunshine”

    This is an odd painting. 

    In the foreground, for instance, we have something almost bucolic and idyllic, as we have some greenery and people fishing and a boy with a butterfly net walking by the river with his father. 

    But across the river it is not at all bucolic or idyllic.

    You can see gray city buildings and the distant steel factory with those tall chimney stacks which are belching out gray smoke.

    Although not exactly beautiful, those chimney stacks along with those baseball lights and some of the tall buildings are quite interesting shapes and make for a very interesting skyline. I especially like the shape of the baseball lights.

    And I thought that the gray smoke passing in front of the early morning sun and the white fluffy clouds is not only visually interesting but kind of beautiful. Perhaps I’m brainwashing myself.

    Whether this painting is beautiful or not, it is certainly interesting and so I’m glad I painted those chimney stacks and all that smoke.

    Steel factories have a big significance in my life. 

    And not simply because nowadays I live right next to one.

    But also because my mum’s family is from Dublin, Ireland and her family moved to England in order to work in the steel factories. 

    It was a good job with a good salary until they closed nearly all of them down.

    Although I don’t like having a steel factory near where I live, at the same time I think it is important for a country to have heavy industries.

    That’s all,

    Gareth.

  • Watercolor painting of figures walking beneath a very beautiful mellow, yellow evening sky

    Watercolor painting of figures walking beneath a very beautiful mellow, yellow evening sky

    Watercolor painting of figures walking along a countryside path with a beautiful mellow yellow evening sky.
    “A walk beneath a mellow evening sky”

    I love this painting.

    Especially the mood. 

    The soft, warm yellowy-orange evening sky and the similarly soft but cool, light gray sweeping clouds give a feeling of beautiful mellowness. 

    And I feel carried away to a better place.

    I like how the figures partially dissolve into the shadows.

    This painting is not only beautiful for me but also mysterious.

    Because I’m not sure where this place is.

    Indeed, is it even an actual place?

    It may be a scene made up by my imagination and the recollections of many countryside scenes that I had visited and painted over the years.

    I think it might be a real place. 

    For I vaguely remember a place similar to the one in the painting.

    I visited this place during a trip into the countryside with my family.

    And I think the path led to a distant temple.

    And I think that place was somewhere between Oita city and Fukuoka city. 

    But that is about all I can remember. 

    And this is only a hunch.

    And I’m even less certain if when I went there it was evening time or not. I think it wasn’t.

    So the sky and the mood of this painting was likely from my own imagination. 

    And by imagination I normally mean something like a visionary flash that is part idea, part image and part feeling all in one.

    Or something like that.

    And when I get these visionary flashes it’s normally a good sign of a great painting. 

    And so it proved to be in this case, as this visionary flash led to this great painting which expresses so well a magical moment of evening time softness, calmness and beauty.

    And I think this painting inspired the one below.

    Or vice versa.

    For I have no idea which of these two paintings came first. 

    But I am pretty sure that both were done around the same time as they are so similar.

    Watercolor painting of figures walking along a countryside path with a beautiful mellow evening sky.
    “A walk beneath a mellow yellow evening sky”

    If you look at the painting above and compare it to the previous one, you see a similar mellow yellow-orange sky and cool blue clouds. 

    And there are similar elements such as the background mountain, the clusters of trees, yellow fields and partially dissolved figures walking along a path.

    There are a few variations.

    The most noticeable one is the utility poles and power lines.

     I think it’s a very interesting variation.

    And I think the painting below has been inspired by these first two paintings.

    Watercolor painting of figures walking along a countryside path with a beautiful evening sky.
    “A walk at the end of a beautiful day”

    It has many similar elements to the other two.

    Firstly, there is that worm’s eye view which gives a huge expanse of sky.

    Next, it is once again a warm late evening sky. Although this time with a touch of red and no sweeping clouds.

    And there is a countryside path. Although this time it doesn’t meander and lead into the painting.

    And finally there are figures on the countryside path who are partially dissolved into the scene. 

    But there are some noticeable differences. 

    For me, the most important one is that the figures and the ground are much darker. The result is almost like a silhouette.

    I’m very happy with this painting.

    Watercolor painting of figures walking along a countryside path with a beautiful hazy evening sky.
    “Last glow of light on a hazy evening”

    And here is another painting which I think is inspired by those first two paintings.

    I think that this painting was just meant to be a sketch but it ended up being a beautiful painting full of atmosphere.

    So in this painting, I did a portrait format.

    I think that the dominant vertical format was chosen to emphasize the dominant vertical shape of the utility pole.

    And although I have a warm evening sky it is quite different from the previous paintings. 

    In this painting, I decided to have a heavy blue-gray cloud and below it the sun gleaming out. 

    The composition is very interesting.

    Essentially, there is a band of dark color above and a band of dark color below and then a band of light in the middle. 

    And the focal point, which is the figures, are in front of this band of light. Well, almost. They are a little below it. 

    But they are close to the light and make a strong contrast.

    In this painting, I have done much bigger figures than in the previous paintings.

    But once again, these figures are partially dissolved in the evening gloom.

    And like the first two paintings there is a strong evening mellowness created by the haziness of the picture.

    Indeed, this painting is very hazy.

    I think that haziness is the most beautiful element of this painting and something I want to explore more in future paintings.

    I am not sure, though, when I painted these last two paintings. 

    I think they were spontaneous creations done at very different times from one another but all motivated from those two original paintings and that vision of a mellow, hazy evening scene in the countryside with a vast expanse of sky. 

    Clearly the utility pole has become a major part, dare I say motif, of these new creations.

    And I did one more version.

    Watercolor painting of figures walking along a countryside path with a beautiful hazy evening sky.
    “Peaceful countryside stroll on a hazy evening”

    What you see in these paintings is an artist hitting a creative seam and then following that seam. 

    I think that I still haven’t come to the end of that seam.

    And I hope in the future to return to this creative seam and paint some new pictures.

    It will also probably lead to new and interesting variations.

    That’s all,

    Gareth.

  • Pencil sketches of a very young child asleep

    Pencil sketches of a very young child asleep

    In 2012 I had one of the best experiences of my life. My daughter Anne was born. 

    Well I call her Annie. 

    But it is really spelt Anne.

    And in Japanese it is “An” and this is the kanji “杏” and it means apricot.

    It was only after having children, and I adopted two before this, that I realized how wonderful children are. 

    I wish that I’d known this when I was younger. 

    Alas such is life, we tend to learn after the fact and then suffer. 

    It’s not very fair but then again nobody said it would be.

    Anyways, for me, the best thing in life has been having children.

    So during this year and the next few I had very little time to go gallivanting outside and painting landscapes as I was very much house-bound looking after my baby. 

    But I took advantage of this marvellous situation by doing a lot of sketches of my daughter. 

    And here are a few of those sketches.

    Pencil sketch of a very young child asleep
    “Face of an angel”
    Pencil sketch of a very young child asleep
    “Beautiful repose”

    Luckily there’s a date on this sketch. 

    Annie was born on August 6 of 2012 so this must be May 31st of 2013. 

    I’m so grateful for that date because at first I thought these sketches were from 2012 but now I know they are from 2013. 

    This year (2021) I have been organizing my artwork, which consists of over 1000 pieces, and one of the biggest problems has been knowing when I created a piece of art and it made me realize the importance of dating my work. 

    Sadly I’m still not putting a date on my work although I do show each new work on Instagram (well most of them) which dates it for me. 

    But I perhaps shouldn’t depend on that too much and I should add a date in pencil on the back of each artwork.

    Pencil sketch of a very young child asleep
    “Beautiful posture”

    All of these sketches are of Annie sleeping.

    This was the best time to draw her as she wasn’t moving.

    Also at this time, I was free. 

    Furthermore, I like to draw sleeping figures because they are a very interesting subject.

    The sleeping posture is often very interesting.

    The pattern of the folds on the bed sheets is also interesting.

    And the feeling of relaxation is wonderful.

    And the face often has a calm and almost angelic appearance.

    Pencil sketch of a very young child asleep
    “Simple line drawing of a sleeping child”

    Sometimes I would do a very simple line drawing of Annie such as above. 

    Although it’s very minimalistic I like it very much.

    That’s all,

    Gareth.

  • Watercolor painting of the interior of a traditional Japanese building

    Watercolor painting of the interior of a traditional Japanese building

    This painting is of a small restaurant in a region called Kusu.

    This region is a very rural and rugged part of Oita prefecture.

    And I visited this restaurant with my family.

    Our main purpose, though, was to see Shiramizu falls.

    And next to this restaurant is a river that leads to the falls.

    Alongside the river is a footpath.

    It is quite a long walk along the footpath to the falls.

    But it is a very pleasant and scenic walk.

    And the waterfall is very high and dramatic.

    After our walk to the falls and back we stopped at this small restaurant to have lunch.

    I can’t remember what we ate but I’ll never forget this building.

    As you can see from the painting, it’s a traditional Japanese building.

    I found the interior of this building to be both beautiful and comfortable.

    And the atmosphere was also very pleasant.

    During lunch I took a few photos and from them later at home I painted the picture above.

    There are so many things that make this interior a good subject for a painting.

    There is the beauty of the wood and the wooden structure.

    And the reflections within the wooden floor are beautiful.

    There is the lovely design of the big sliding doors that lead to a covered verandah with a beautiful view of the surrounding natural scenery.

    And then, almost like a model, there is the relaxed figure of the old man sitting on the verandah and taking in nature while having a smoke. 

    Finally, there is the elegant figure of the woman sitting on the floor and eating lunch.

    What a wonderful scene for a painting!

    In this traditional Japanese restaurant there are no chairs.

    People sit on cushions.

    They are called “zabuton” in Japanese.

    I personally like sitting on the floor as I find it to be far more comfortable and relaxing than sitting in a chair.

    I’ve been to this place several times and I also once had a disastrous painting holiday here.

    I’ll talk about that misadventure in a later blog.

    That’s all,

    Gareth.

    Postscript 

    I have to mention going to another restaurant in this area.

    Although I had a simple meal at this restaurant, I think it was spaghetti bolognese with salad, it was one of the tastiest meals I’ve ever had. 

    The salad in particular was so fresh and tasty.

    I’m sure the salad came from the garden by the restaurant and that the salad vegetables had been picked that very day or the day before. 

    It was run by a very old couple and I’ll never forget how the old man moved so slowly as he went around serving people and collecting dishes. 

    And we had to wait quite a while. 

    It was definitely worth the wait but I do remember wishing that he would speed up a bit while at the same time appreciating that he couldn’t. 

    But I have no doubt that this old couple had lived to such a ripe old age by eating all these fresh vegetables from their own garden.

    I just wish that I’d remembered the name of the place as I would have told everybody. 

    And yet, the irony is that they probably don’t want more people coming – not unless they have a young person working for them who can take on the extra work.

  • Powerful watercolor paintings of the sea

    Powerful watercolor paintings of the sea

    During 2013, I would often get on my bicycle and cycle to the sea. 

    It was just a 10 minute cycle ride. 

    And at the sea, I had a spectacular view of Beppy bay. 

    I would usually go at evening time and paint the sun setting over this bay. 

    It was a wonderful experience. 

    And here is a collection of the paintings I did of Beppu bay during that year.

    I have no idea now what order I painted these pictures.

    So I will show the one above first because it is my favorite.

    I have the vague notion that when I painted this picture I was just playing around.

    This is always a good way to be when painting because you relax.

    And relaxing often leads to exciting things happening.

    And for me this painting is really exciting. 

    It has a vibrancy that is much stronger than in my usual work.

    I have tried to paint this picture again with the intention of capturing that vibrancy but I couldn’t.

    But I will try a further time because I want so much to paint a sky with such vibrancy.

    Watercolor painting of the sea at dusk
    “A fishing boat returning home”

    I am also very happy with this painting. 

    It has a lovely feeling of peacefulness.

    It’s an unusual painting for me in capturing a moment after the sun has gone down. 

    Normally I paint dramatic sunsets.

    And it’s almost a monotone painting except for a faint touch of yellow.

    I like the composition of this painting.

    Especially that cluster of clouds on the left hand side that slowly thin out towards the right.

    And I like the “fluffy” edge of the clouds which gives a feeling of movement.

    If you look at the composition as a bunch of abstract shapes then you can see how the boat is like a dark blob moving towards a bigger darker blob on the left hand side. 

    Looking at the painting in this abstract way gives me interesting ideas for future paintings where I can imitate that abstract pattern but change other elements such as the time of day, the objects and the colors.

    Watercolor painting of rays of light hitting the sea
    “Rays of light hitting the sea”

    For a long time I wanted to paint rays of sunlight hitting the surface of the sea. 

    It looks so beautiful and dramatic.

    And I think this is one of my earliest and most successful attempts at painting rays of sunlight hitting the sea.

    As well as the rays of light, what I also like about this painting is the delicacy. 

    Despite capturing a powerful moment this picture does it in a soft and slightly subdued way. 

    And I like those little ripples in the foreground and the slight change of color to a greenish gray. 

    As I look carefully, I can see that there are a lot of beautiful subtleties in this painting.

    And, finally, this painting is very large and so I am also glad that it worked out.

    Normally, it is much more difficult to get a good result with a large painting than with a small one.

    Watercolor painting of a seascape with the final glow of evening light
    “The final glow of evening”

    And here is another painting I really like.

    I am well aware that I keep saying how much I like each painting.

    Perhaps it is becoming an annoying refrain.

    But you have to remember these are the few survivors from a large number of paintings that got binned.

    As for this particular painting, I like the limited number of colors.

    It’s basically a monotone painting with a touch of yellow.

    The yellow glow of the sky amidst those soft gray sweeping clouds and the dramatic reflection of the yellow light across the surface of the sea that is streaked with long gray shadows is beautiful.

    I think the shape of the clouds has been painted very well and the final effect is extremely beautiful.

    I also like that tiny fishing boat. 

    It’s tiny size helps create a feeling of vast space, even a touch of epicness.

    Watercolor painting of a seascape with a fishing boat on a beautiful day
    “A beautiful day at sea”

    This is a rather simple painting but I am very pleased with it.

    The color palette is very limited consisting mostly of a warm gray, blue and black.

    I like the misty background and the soft but dynamic feel of the clouds.

    The ship is well painted and also catches the eye.

    And there is a refreshing sparkle across the surface of the sea.

    The only thing I am upset about is my signature which is too big and not very elegant. 

    I want to wash it out and redo it.

    However, I won’t because there is a high chance that I will wipe out the paint underneath and thus spoil the painting even more.

    Watercolor painting of a seascape with ships at anchor beneath a dramatic sky
    “Ships at anchor”

    I did several paintings of seascapes with big ships. 

    Luckily, I often see ships when I go to this bay.

    There is a big steel factory by the bay called Shin-ni-tetsu and there is a regular flow of big ships going to and from this factory.

    And the ships are sometimes anchored near the factory. 

    I think at the time I did this painting there were three ships at anchor. 

    I don’t know why I only painted two, especially as I think three would have been even better. 

    And I might add another ship in a future version of this painting.

    But I am very happy with this painting.

    I think the sky is stunning. 

    I love the intense colors and the shapes of the clouds.

    For me, there is a feeling of dramatic beauty and vastness in this painting.

    My only regret is once again my signature. 

    I wish it was smaller, simpler and less conspicuous like my present signature which is just the two initials of my name: “G” and “N”.

    Watercolor painting of a ship crossing Beppu bay with a beautiful evening sky
    “Beautiful evening crossing”

    Here is another painting with a big ship.

    I like once again the simplicity of colors.

    Essentially you have a warm red, a cool blue and the white of the paper.

    And I am very pleased with the dramatic shape and softness of the clouds, the misty mountains in the distance, and the calm feeling of the sea.

    But once again I am disappointed with my signature.

    Watercolor painting of a seascape with a fishing boat and a dramatically red evening sky
    “Red evening glow across the sea”

    This painting was an experiment.

    And I think there is a slightly dreamy or surreal feeling about this image.

    Perhaps one of the reasons for this surreal feeling is the intensity of the red across the surface of the sea. 

    It’s too red for a realistic image.

    But I love it.

    And perhaps another reason for the surreal quality is the softness.

    Only the boat and the birds are hard shapes in this painting.

    And as you look down from the top to the bottom there is a lovely transition of color and intensity. 

    At the top is a very pure blue, next a mix of that blue with white and a warm gray, then this sinks into a gray and this gray sinks into a very pure and transparent red and then this red becomes combined with lines of blue and finally the red fades into a very light red and the blue becomes more dominant and darker. 

    And finally I love the shape of the boat and its position in the painting.

    Yet once again I can’t say I’m happy with my signature. 

    It’s too big.

    Watercolor painting of a seascape with a dramatic and beautiful evening sky
    “Evening grandeur”

    This is my final painting.

    And it’s a little different to the others because of the variety of colors and that touch of orange.

    In most of these paintings I’ve used a very limited number of colors and no orange.

    And sometimes I’ve been extremely limited with the color and made essentially a monotone painting with the subtle addition of just one color.

    But in this painting there is a lot of color variety.

    In the sky, for instance, there is a light purple, blackish gray, almost pure blue sweeping clouds, orange and a very light blue. 

    But even though this painting has more variety of colors than the others, it is like them all done with a soft and subtle touch.

    And once again, like in a few of the paintings here, there is a feeling of vastness due to the tiny fishing boats. 

    I love this feeling of vast space.

    Final word

    I hope you enjoyed seeing these paintings of Beppu bay. 

    I am so happy to have this place on my doorstep. 

    It is a source of inspiration for me.

    That’s all,

    Gareth.

  • Painting of a man and his dog taking a stroll along a countryside path

    Painting of a man and his dog taking a stroll along a countryside path

    This is a painting of a country path in a region called Hiji.

    I have visited this region quite a few times and have found some very picturesque scenes here such as the one above.

    And as I look at this painting, I find myself thinking that this is a very good painting and I am surprised that I almost binned it. 

    All I can say is that I have over a 1000 paintings and it just becomes overwhelming so if I can bin a painting then I feel a little less like I’m drowning in my own creations.

    So here is a short critique of this painting in which I talk about the many good points of this painting and a few of the bad points.

    Firstly, I like the composition and in particular the curve of the path.

    It is beautiful and interesting.

    And it guides the viewer’s eye deeper into the painting.

    Next, the shapes of objects, such as the trees, the figures and the house, are well done. 

    I especially like the figure of the man with the dog as it really looks like he is moving.

    Along with good shapes there is also some very nice expressive brushwork in the trees.

    And the colors are also very good, especially in the foliage and the sky.

    As I look at the sky, I like how dramatic it is with the sun behind a big gray cloud and I can see beautiful subtle touches of gray, blue and a very light gray as well as yellow in the sky. 

    And I like how the distant mountain disappears into the clouds.

    Finally, I like the flock of birds above the tree on the left which you sometimes get. 

    It is a nice extra detail.

    This painting fails in a few places though.

    The walls of the house are too blue. 

    I doubt it, but it could have been a blue house. 

    But even if it was a blue house I think the blue needs to be toned down a little.

    This painting also fails with the smoke. 

    At the end of the path there is supposed to be smoke. 

    I think that’s what I saw when I went there. 

    But that smoke needs to be a lot whiter as it is difficult to see that it is smoke.

    So I hope one day that I get the chance to paint this picture again as I’m sure I can improve upon the color of the house and the smoke.

    However, I think that I will struggle to paint such an amazing sky.

    All this painting needs now is a title. 

    I was thinking of calling it: “Man and dog taking a stroll along a country path”.

    What do you think? 

    If you have any ideas for a good title then please let me know in the comments. 

    I’d really appreciate it and if I like it then I will definitely use it.

    That’s all,

    Gareth.

  • Paintings of an old shed and barn in a small, rural Japanese town called Shonai

    Paintings of an old shed and barn in a small, rural Japanese town called Shonai

    Around 2021, I began to organize all my artwork.

    This is a momentous task as I have over 1000 paintings.

    In the process, I found the painting above.

    It is an old painting which was done around 2013.

    And I still remember seeing the rather dilapidated but picturesque shed in the painting.

    I was cycling along the main road through a small, Japanese town called Shonai that is deep in the countryside.

    At some point, I turned off the main road and onto a very narrow side road.

    And along this road I saw the shed.

    I think that as soon as I saw this shed, I felt the urge to paint it.

    And I’m happy with my painting of this building as I caught the slight lean of the structure as well as the irregularities of the structure. 

    Also, I think the light blue roof looks very good.

    And I think the rice field looks beautiful.

    The viewpoint of this shed is very good. 

    As the gutter by the side of the road, guides the viewer’s eye towards the shed which is the focal point of the painting.

    However, I think the foliage is not so well painted or the other buildings.

    And yet I’m happy I didn’t throw away this painting.

    Because it is a precious reminder of where I’ve been, what I liked to paint and also what my artwork used to be like.

    It is so easy to forget these things and not even realize you’ve forgotten.

    Watercolor painting of an old Japanese barn
    “Beautiful, old Japanese barn”

    And here is one more painting of Shonai.

    I think it was that old Japanese barn on the left that captured my interest and made me stop and paint this scene.

    It is such a beautiful structure.

    And I think I’ve done a good job of painting that barn.

    The fields are well done. 

    I love the combination of yellows and browns and those soft brown dots in the foreground field.

    I’m not sure how I did those dots but I’d definitely like to use that technique in future paintings.

    Everything else, such as the other buildings, the foliage and the figures are just passable.

    And sadly, the mountains are not very well painted. 

    In reality they look amazing. 

    I normally say that I’ll have another go at painting a picture that doesn’t quite work but for some reason with this particular picture I don’t feel the urge to have another go.

    At least not yet!

    I have painted this particular scene a few times since though because I found the view very beautiful.

    It was near here that I did a painting of some Japanese haystacks in 2014 that I’m really happy with.

    That’s all for now,

    Gareth.

  • Picturesque Japanese village in Oita

    Picturesque Japanese village in Oita

    For a long time, I didn’t used to like painting countryside scenes. 

    And given the choice, I would prefer to paint an urban scene. 

    Urban scenes are easier to paint and usually more interesting.

    Whereas countryside scenes are very difficult to paint well.

    One of the biggest challenges with a countryside scene is painting trees, bushes and grass.

    Trees in particular are the most difficult to paint as my watercolor students soon discover. 

    And I have to tell my students that it takes years to be able to paint a good tree. 

    And I add that: if you can paint a good tree in watercolor it means you are a good artist.

    Another reason I don’t like to paint countryside scenes is that despite appearing beautiful they are often look monotonous as a painting.

    This is especially true of paintings of the Japanese countryside where you often see an endless number of tree covered mountains.

    It is very beautiful.

    But normally everything is the same kind of green color and in a picture it will look monotonous.

    Even in autumn, when those tree covered mountains have a variety of beautiful colors, it is still monotonous as a picture.

    I have seen Japanese paintings of such scenes and I can’t say I like them.

    They are not visually interesting.

    After saying this about painting countryside scenes in Japan, you will understand the happiness I experienced when I started to paint good pictures of countryside scenes.

    And the pictures here are my earliest paintings of countryside scenes that I think are good.

    Both paintings are of a countryside area called Wasada.

    It is on the outskirts of Oita city. 

    And I found this beautiful countryside area during one of my bicycle adventures.

    Of the two, I think the painting above is my favorite.

    In this painting the foliage looks very beautiful.

    And the rice field has lovely colors and texture. 

    Even the rough grass by the side of the rice field is well done.

    The houses are beautifully painted.

    And the figure with the dog is fairly good too.

    As for my signature, I’m just glad it isn’t so noticeable.

    Watercolor painting of a picturesque Japanese village
    “Coming home”

    You can see that the second painting is similar to the previous one. 

    I’m fairly sure that these two paintings are of the same village, or two small villages next to one another in Wasada.

    And I’m fairly sure that they were painted around the same time.

    Once again I am very happy with the foliage and the rice fields in this painting.

    And the figures are fairly good.

    The houses are okay but not as good as in the previous painting.

    And once again, I’m glad that you can’t see my signature clearly because it’s too big and not very well done.

    That’s all,

    Gareth. 

  • A painting of two fishermen by a beautiful Japanese river

    A painting of two fishermen by a beautiful Japanese river

    I think that I painted this river scene around 2013.

    It could have been even earlier.

    This place is called Kitsuki.

    It’s a small Japanese town by the sea with an interesting history and a few interesting old buildings.

    One of these old buildings is a castle that is built on a hilltop by the river.

    It’s very dramatic.

    And it has some nice scenes to paint such as this beautiful river. 

    Although I’m not sure if I should call it a river or an estuary as a little further on it flows into the sea.

    I think this painting was from my first painting trip to Kitsuki.

    And this painting trip was quite an adventure for me as it is fairly far away from where I live.

    I am very happy with this painting.

    I especially like the soft background with those vibrant green trees and the lovely blue behind them.

    I think the fishermen were from my imagination.

    But I have seen and painted fishermen many times in Japan so I have a good idea about how to paint them.

    I’m also very happy with the shore and the rendering of the rocks and the textural effects.

    I think this is one of my best old paintings.

    And I’m surprised that nobody ever bought it.

    Although thinking about this made me realize that my river paintings don’t sell well. 

    I can only think of one river painting that I have sold.

    This was a painting of a Nyuudogumo above my local river.

    I think Americans call it a thunderhead cloud. 

    That painting sold very quickly.

    Even if my river paintings don’t sell well, I will continue to paint them because I enjoy painting them.

    That’s all,

    Gareth.