Gareth Naylor

Atmospheric paintings of Japan

Tag: 2005

  • My oldest watercolor paintings of Japanese cityscapes

    My oldest watercolor paintings of Japanese cityscapes

    There are 4 times in my life when I did art.

    First time

    Firstly as a child I did a lot of drawing.

    I loved using crayons. 

    Every Christmas I remember how delighted I was to receive a pack of crayons. 

    But what I drew is not something you’d call it art. 

    For I just drew endless rectangular spaceships.

    I would cover the whole paper with them.

    And then there would be a big battle.

    I also drew, or maybe I should say gouged, an image of a church on my bedroom wall.

    It was my Sistine Chapel moment! 

    However, my dad, who had just painted the bedroom wall, which was a really long room, and who had very high standards of workmanship, was not impressed. 

    I later learnt that he said to my mum in disbelief: “I can’t believe it. He’s so destructive”.

    I also painted the inside of the shed. This too was not well received.

    Second time

    The second time I did art began in my last year at school when I was about 15. 

    Now I was drawing plants, dungeons and dragons stuff and pictures of nude women. 

    Of course, I improved most from drawing the latter because I was very focused.

    Although I passed, I spent another year at college doing art. 

    And according to my lecturer I had gotten worse at drawing over this year. 

    But I think that was because we were drawing things like folded strips of paper which is not inspiring. 

    If we’d been drawing naked women I think I would have massively improved or even fantasy subjects such as dragons and knights.

    Anyways, I was not impressed by the art lessons at college. 

    And it was suggested that I should do Graphic Design which is far more cool and perhaps I could become a concept designer which sounded really cool. 

    So I went and did a year in graphic design and I did a few lessons in watercolor painting in my free time which I really enjoyed and which I wish I’d continued at.

    Doing the graphic design course was a big mistake. 

    The director, or whatever he was titled, was a brilliant illustrator but he almost looked down upon art. 

    He would say that art was for monkeys and that it was ideas that were important.

    His comments saddened me because the whole reason I had started the course was because I liked art, I liked drawing and painting, and I wanted to get better at it. 

    I also wasn’t very good at art or ideas. 

    After one year I quit the course. 

    And then for many years I did all kinds of other things but no art.

    Third time

    But my interest in art did come back.

    I’m not sure though it was a good thing. 

    I sometimes wonder if art has been a blessing or a curse for me. 

    Perhaps both. 

    But anyway, I was studying physiotherapy in Bath.

    I had the chance at a job for life and security.

    Yet, I was unhappy. 

    And I had started drawing again. 

    After a month, I quit the course.

    I decided that I wanted to do a course in Fine Art.

    Sadly I couldn’t because I had to first do a Foundation course and I didn’t have the financial resources to do that. 

    So, I started an art related degree course that didn’t need a Foundation course.

    But it was rubbish. 

    I soon realized that and quit that too. 

    A year later I started a course in architecture. 

    I thought it would allow me to do my art. 

    But after one year I quit architecture too. 

    I was getting very good at quitting things.

    After that one year, during the summer holidays, I cycled around France for 3 weeks and did some drawings. 

    You can read about that story here

    That was so fun. 

    And I wish that I had done more travelling and drawing. 

    But after that holiday I not only quit the architecture course but also the art.

    After that I did a foundation course in mechanical engineering for one year.

    And then I went and studied English literature. 

    And I actually got a degree in English literature. 

    I had even started to toy with the idea of becoming an English lecturer. 

    But after 3 years of studying for my degree I wanted freedom from academia. 

    I wanted to see the world. So I went to Japan.

    Fourth time

    And in Japan, around 1999, my interest in art returned. 

    I started going to a watercolor class and an oil painting class. 

    At some point I got very serious and actually started walking around the city and painting what I saw.

    This is easy to do in Japan as people are pretty easy going. 

    Especially if you are a foreigner.

    I remember once in England I was on a street doing a drawing and a car stopped near me. 

    There was a burly man in a car with his family and he was staring at me as though I was a felon. 

    He was very aggressive looking. 

    And he actually got out of his car. 

    And in a very menacing voice he asked me, what I was doing.

    England is not the country of gentlemen that the Japanese seem to believe. 

    There’s nothing gentle whatsoever about the place. 

    Well, there are a few kind people.

    Anyway, back to the story. 

    These paintings are some of my earliest artworks.

    I think I painted them around 2005.

    They are of a place called Shinmachi which is very near Oita city centre. 

    I lived in a big apartment in Shinmachi from about 2000 to 2006. 

    I think these paintings are the first outdoor paintings that I did.

    I’m so glad that I kept them.

    And I thought that I’d share them with you.

    I simply wandered around Shinmachi and painted what I thought was interesting, such as the petrol station, the concrete aqueduct and the car scrapyard. 

    The concrete aqueduct was actually painted across two separate sheets of paper which is why there is a white gap in the middle.

    These paintings are now very old and things have changed in Shinmachi. 

    I believe the car scrapyard has gone. 

    And the bridge next to the petrol station has also gone. 

    All that is solid vanishes into air! It seems to be true.

    Here are all the paintings.

    Watercolor painting of a Japanese car scrapyard
    “Japanese car scrapyard”
    Watercolor painting of a Japanese petrol station
    “Japanese petrol station”

    Note that this painting has a date in the left hand corner. I am so happy about that. The 05 means 2005. So I know that I painted this picture in 2005. And I’m fairly sure I painted the other pictures around the same time.

    Watercolor painting of a Japanese concrete waterway
    “Japanese concrete waterway”

    Note the car scrapyard in the distance which I painted in another picture. I think that place is visually very interesting.

    Postscript

    I’m writing this article in February of 2021. 

    It’s cold. 

    My right hand feels like a block of ice. 

    My mum sent me a pair of gloves to keep my fingers warm but they are so tight that I can’t move my fingers with them on.

    It cost her about 14 dollars to send the gloves.

    What a ridiculously high price. 

    But the sunlight is streaming in through my window and it is glorious. 

    I feel bathed in light. 

    And I just keep on writing. 

    Today, or was it in the middle of the night, I decided to write 250 blogs, make 250 videos and to have 1000 images on my website.

    I also decided to have about 10 galleries on my website with paypal buttons, which is the kind of practical thing that I don’t do. 

    I wonder if I’ll do it.

  • An old watercolor painting of mountains in Aso

    An old watercolor painting of mountains in Aso

    This area is called Aso.

    It is in Kumamoto prefecture.

    The view in the painting is from the top of a mountain. 

    The top of the mountain is a strange place because it has lots of little hills.

    And sometimes, there are even farmers’ fields.

    These fields look a little like the rolling fields in England.

    Aso is famous for its caldera which is a ring of mountains.

    And the mountains in the painting are part of this enormous ring.

    What I love about this place and which you can see in the painting are the many lines of mountain ridges one after the other receding into the distance.

    I’ve had this painting for a long time. 

    I think I painted it around 2005 but I can no longer remember the actual year or even the trip. 

    I have since been to this place quite a few times and every time I go there I feel refreshed by the spectacular view.

    Gareth.

  • Watercolor painting of a wooden chair in a Japanese apartment

    Watercolor painting of a wooden chair in a Japanese apartment

    This painting is very old and very valuable to me.

    I lived in this apartment with my wife and her two children.

    I first came to Japan in 1999 and about one year later I was living in this apartment.

    I lived here for about 6 or 7 years.

    At some point during that time I painted this picture.

    It’s painted on wood pulp paper.

    With this paper, the paint seems to stay on the surface rather than sink into it as it does with cotton rag.

    Because of this you get an interesting textural effect which sometimes I like and sometimes I hate.

    In this painting I like it.

    But it’s not a great painting.

    The lines of the sliding door are poorly done.

    That said, I love the composition, the colors and the reflection in the floor.

    And this picture has enormous sentimental value for me.

    I have many happy memories of this place.

    I’ll also never forget moving from this place.

    It was a nightmare.

    My wife and her girls had so much stuff. 

    Trash might be a more accurate word.

    I was frantically trying to stuff all of this “stuff” into boxes while the removal men were sprinting down the hallway, picking boxes up and scooting off with them.

    I had to finish packing everything before they got all the boxes.

    It was like being in a crazy computer game.

    Although you might be impressed by how efficient these removal men were, I was experiencing a strong feeling of pressure from them.

    Time was money and they weren’t going to waste their time.

    And they were a bit too quick.

    In their haste several things were broken.

    Anyway, I’m writing this in February of 2021 and we still have the chair in the painting.

    Although maybe not for long.

    This chair along with 3 more and the kitchen table are a set.

    But my wife wants a new table and chairs.

    Well there is a permanent and deep mark in the table which I made from painting on it constantly for several years.

    I used to call myself the kitchen table artist at that time.

    But it is proof that you don’t need such things as a studio in order to paint and I did some great work on that table.

    And I had my paints permanently set up on that table at one time.

    Anyway, I will be sad to see these chairs go.

    But I guess everything goes at some point.

    And just because something passes away, just because all that is solid passes into air, it doesn’t mean it is worthless.

    It just means it is vital to enjoy every day of having the things (and people) we do.

    Luckily, a painting can last a very long time.

    And I’m happy that even after all these years I have this painting and the memories it brings with it.

    So that is all for now,

    Adieu mon ami,

    Gareth.

  • My few remaining drawings from my earliest days in Japan 2000 to 2010

    My few remaining drawings from my earliest days in Japan 2000 to 2010

    Nowadays, I do very little drawing and probably should do more.

    But in my early days of living in Japan, between 2000 and 2010, I was drawing all the time. 

    At that time, I had a strong desire to improve.

    Most of these drawings I have since thrown away and now only a few remain.

    Out of these few, the one above, which is of my wife’s working space, is my favorite. 

    It was done with a marker. 

    I much prefer to use a marker or a pen rather than a pencil as a marker or a pen gives a much stronger mark than a pencil and so it gives a much more powerful image. 

    And although a pencil drawing can be nice it smudges so easily and I don’t like spraying my drawings with fixative in order to prevent smudging.

    By the way, legless chairs like the one in this drawing used to be so popular in Japan. 

    Although I like to sit on the floor I have never found these legless chairs to be very comfortable.

    And here is a drawing of a stationary shop in a department store called Forus. 

    I think this was on the seventh floor.

    It was my favorite floor because it had a big bookstore too. 

    Unlike nearly all the other bookstores in Japan, they had a lot of English novels and other kinds of books in English. 

    I am a book lover and it was such a joy to look at and browse through these books. 

    The book store has since relocated and sadly the only English books they show now are on learning English. 

    A few years ago, around 2018 or 2019, I went with my family to the top floor of this new book store to look at the children’s books and the place was empty. 

    It felt so lonely being there. 

    Anyway, to continue, this department store which was about 8 floors high has been completely altered and reconverted into a 4 story building.

    And here are some drawings of my family. 

    I did a lot of drawings of them and that must have been a bit annoying for them at times especially as sometimes I even asked them to pose for me. 

    I particularly liked drawing my children sleeping. 

    When children sleep there is a beautiful look of peace upon their faces, and their posture is often very interesting as is the creased arrangement of the bed sheet draped across their form. 

    At some point I’d like to do a watercolor painting series of children asleep. 

    Drawing my children sleeping was also great for drawing practice as the subject rarely moved.

    I think this drawing is of my wife but it could be my oldest daughter.

    Here is a drawing of my oldest daughter and it looks like she is pretending to shoot me.

    I think I asked her to hold that pose and she did. She was very tolerant.

    And here is a drawing of my middle-daughter sleeping.

    And this is a drawing done on sport’s day. 

    You can see the tents and the finish flag. 

    And behind this is the Rembrandt hotel which is probably the second best hotel in Oita city where I live and quite an interestingly shaped building. 

    Sport’s day is a major, whole day event in Japan and mum’s get up in the early hours of the morning to prepare special meals for the family. 

    Although this is changing rapidly and nowadays they sometimes opt for pizza delivery instead. 

    And it isn’t just a sports’ event. They also have games, dancing and other performances.

    And finally here is my bicycle. 

    I have a fascination with bicycles because they are such interesting objects. 

    At this time, I was drawing my bicycle a lot.

    It was an enjoyable fascination.

    Sadly I would sometimes do my best drawings on the thick cover of a sketchbook which became quite a problem when saving my work because I couldn’t put it neatly away inside a file along with all the other drawings.

    That’s most of the drawings that I have left from this period though there might be one or two more hidden away somewhere in which case they will appear here at some point in the future.

    So I will say adieu for now,

    Gareth.

  • Watercolor sketch of rocks on a mountain

    Watercolor sketch of rocks on a mountain

    I painted this watercolor sketch a long time ago. 

    I think around 2005 but that is just a very hazy guess.

    I had climbed up a mountain called Kuju in Oita prefecture and it had inspired me to do a painting of a mountain scene. 

    I think it was my first attempt to paint a mountain. 

    Or at the very least, it was my first attempt to paint a mountain that I had actually climbed up and taken some photos of.

    It was quite an intimidating subject for me to paint. 

    So I did a watercolor sketch to begin with before I began on the actual painting as practice. 

    It would also hopefully improve my skills a little too.

    Ironically, this rough watercolor sketch turned out better than the final painting.

     And I have long since thrown away that final painting but kept this initial watercolor sketch.

    I wish though that this sketch didn’t have that patch of green in the upper part of the picture.

    I left it though because it’s just a sketch and if I tried to remove it I might spoil the painting.

    For a long time I was so pleased with this sketch and that’s why I have kept it. 

    However, I can’t say that I like this sketch anymore.

    I keep it now though as a record and perhaps also for nostalgic value.

    That’s all for now,

    Gareth.

  • A delicately layered watercolor painting of an evening sky

    A delicately layered watercolor painting of an evening sky

    This is one of my oldest paintings that I still have in my possession.

    I’m not sure of the exact year that I painted it but I think that it must have been between 2005 and 2010.

    I have thrown away nearly all of my old work from that period but this one I kept.

    No doubt this is because I find it somewhat beautiful. 

    And I think the beauty comes from the use of layering one color over another.

    The thin glazes of color creates a beautiful transparency and in my opinion conveys a feeling of pureness and vibrancy.

    That alone wouldn’t make it such a beautiful painting.

    If it was only that then it might be a rather weak watery watercolor.

    That delicacy of layered colors is made beautiful and emphasized by the contrasting bold blue clouds.

    And I think this painting shows that a good watercolor painting has a combination of delicacy and boldness.

    Ironically, I rarely use that layering technique nowadays.

    I confess that I tend to be a bit of a heavy handed watercolor artist and paint rather thickly.

    I sometimes wonder if I should have painted in acrylics rather than watercolor.

    But to return to this painting.

    When I look at this painting, it is like receiving a message from the past that is urging me to do some paintings with this layering technique – and also to add some of my normal boldness with it. 

    So far, I haven’t but one day maybe I will.

    My only regret when I look at this painting is my signature.

    Why did I put it so high up! 

    It really spoils the painting. 

    I was almost tempted to remove it.

    In the end, I decided not to as I thought the risk of spoiling the painting was too great,

    So it remains.

    That’s all for now,

    Gareth.